A Beatles Photo Signed on the Set of A Hard Day’s Night Could Command $6,500 at Bonhams


What you see: An 8-by-10-inch black-and-white publicity photograph of the Beatles, shot on March 24, 1964 by Dezo Hoffman and signed in blue pen by all four band members. Bonhams estimates it at £4,000 to £6,000 ($5,200 to $6,500).

How rare is it to see a print of this photo, signed by all the Beatles? “It’s not particularly rare, but to see it signed by all four on the front is unusual,” says Katherine Schofield, head of entertainment memorabilia at Bonhams. “Sometimes they signed it on the back, but it’s more desirable to have the signatures on the front.”

How rare is it to have anything that was signed by all of the Beatles? “Not that rare. They signed a hell of a lot–autograph books, fan club cards, albums, pieces of paper–Beatles signatures are not scarce,” she says. “A good set is still pretty common, and the market is discerning about what it wants. If it’s in good condition and more unusual, it bears stronger prices. Collectors tend to aim for signed albums, signed photos, and autograph pages. It’s tiered like that, but there’s a lot of things in between.”

What do you mean by “more unusual”? Schofield cited a piece of Buckingham Palace stationery, signed by the four in October 1965. It’s lot 165 in the same auction, estimated at £8,000 to £10,000 ($10,000 to $13,000). “I have seen another, but only one other,” Schofield says. She also mentioned a lot from the December 2016 Entertainment Memorabilia sale that was a plain British standard sheet of paper from 1963 on which each Beatle had drawn a caricature with their signatures. It commanded £21,250 ($27,425).

Are Beatles signatures from early in the band’s career worth more than signatures written later in the band’s career? “Very, very early signatures and later signature are sought after,” she says. “At the start of their career, not many signatures were asked for, and not many were kept. As the Beatles became less accessible in 1965 and definitely in 1966 and 1967, signatures are very sought after.”

This particular copy of the photo has tape marks, clipped corners, and other blemishes. Does that affect its value? “It’s a shame. It would be nicer if it was a cleaner image,” Schofield says. “But the damage does not affect the body of the photo. It’s visible, and the signatures are clear.”

This signed photo is fresh to market, going straight from the woman who received it as a preteen to Bonhams. How does that affect the value? “Provenance is important,” she says, explaining that the consignor’s father had been a vendor at the Scala Theatre when the Beatles filmed scenes for A Hard Day’s Night there. “She got onto the set and was given mementos, and this was one of the items she was given. She treasured it, and thought long and hard about selling it. We expect it to do well. The fact that it’s not dedicated [it’s not inscribed to a specific, named person] makes it more desirable. Normally the Beatles would put, ‘To Someone,’ and most people wanted them to do that. It’s nice that the photo has not been dedicated.”

How to bid: The signed Beatles photo is lot 162 in Bonhams’s Entertainment Memorabilia sale on June 28 in London.

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Image is courtesy of Bonhams.


SOLD! Goya’s Lavishly-Bound Presentation Copy of Los Caprichos Gets $607,500 at Christie’s


Update: The presentation copy of the first edition of Goya’s Los Caprichos sold for $607,500.

What you see: A presentation copy of the first edition of Francisco Goya’s Los Caprichos, from 1799. Specifically, you see plate 43–what might be its most famous image–The Sleep of Reason Produces Monsters. Christie’s estimates the set of prints at $500,000 to $700,000.

Who is Francisco Goya? He’s the most important and influential Spanish artist of the 18th and 19th centuries. He captured the high and the low in his paintings and prints, from portraits of kings to the sufferings of the mentally ill. He died in 1828, at the age of 82.

What is Los Caprichos? It is a group of 80 aquatints and etchings that explore what Goya deemed follies, or foolish notions then bedeviling Spanish society. When he published the set in 1799, it flopped, with only 30 copies selling over the course of four years. “Things that are visionary often do badly when they are first published,” says Sven Becker, head of books and manuscripts at Christie’s. “It was far ahead of its time.”

Why is this copy worth $500,000 to $700,000? “This is the only known presentation copy in private hands,” says Becker. “It could actually deliver a surprising result, far beyond its estimate. There’s no reason it couldn’t hit $1 million.”

The set of prints is bound in red goatskin. What does that fact tell us? “Red goatskin was the finest material available to Goya,” Becker says. “He went to a lot of expense. It was for a person who was important to him. You would expect Goya to select the very best prints before putting them into a very expensive binding.”

So, who was the lucky recipient? “It’s inscribed to ‘Mr. X’, but the name of the actual recipient has been deleted,” Becker says. “He or she was clearly really important to Goya. It wouldn’t have been just anyone.”

But the lot notes for this copy of Los Caprichos says ‘…there is little doubt that she was María Josefa Pimental (1752-1834), Countess and Duchess of Benavente, wife of Pedro Téllez-Girón, 9th Duke of Osuna.’ Why the hesitation? “I’d love to say categorically that it’s her,” he says. “I was not able to find enough evidence. If I’d been certain, I would have put it in the headline.”

How did María Josefa Pimental know Goya? “At the time, she was known to have been one of his main patrons. He actually produced a portrait of her not long before the printing of this book,” he says. “It’s mounted on the back of one of the blank leaves. It could have been mounted by her. It’s an unusual thing to do. It feels like it had to be her.”

What else makes this copy of Los Caprichos special? “This book was personally handled by the person who made it. He put pen to paper [to inscribe it],” Becker says. “It allows us to build a bridge between the present and Goya’s time, which is so rare.”

How to bid: The Los Caprichos is lot 432 in Fine Printed Books & Manuscripts Including Americana and the Eric C. Caren Collection, a sale taking place at Christie’s New York on June 15.

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Image is courtesy of Christie’s.

WHOA! David Jagger’s Intense Self-Portrait Fetched More Than $281,000–and a New Record–at Bonhams

David Jagger R.O.I. (British, 1891-1958) Self Portrait 40.6 x 30.5 cm. (16 x 12 in.) (Painted in 1928)

NEW RECORD FOR THE ARTIST AT AUCTION: The David Jagger self-portrait sold for £221,000 ($281,570)–a new record for Jagger at auction, beating the previous record by more than £100,000.

What you see: A self-portrait by David Jagger, painted in 1928. Bonhams estimates it at £20,000 to £30,000, or $26,000 to $39,000.

Who is David Jagger? He’s a 20th century British painter who specialized in portraits of aristocrats. Winston Churchill, Boy Scouts founder Robert Baden-Powell, and several members of the British royal family sat for him. It’s unclear if or how he might be related to Mick Jagger. He died in 1958, at the age of 66 or 67.

Do we know any more about Jagger? “There’s been very little written about David Jagger. Right now, there’s a catalogue raisonne being written, and will be published at the end of the year. That’s going to fill an art-historical gap in the appreciation of the artist,” says Matthew Bradbury, director of modern British and Irish art at Bonhams. “He came from an artistic family. He’s always been a respected artist, but for many years he’s been in the shadow of his brother, Charles, a very reputable and talented sculptor.”

What changed for Jagger? “Prior to 2008 or so, many of his works had been to auction and made unspectacular prices. We set the record for a David Jagger society portrait, Olga, in 2006, which sold for £46,800 ($60,158),” Bradbury says. “It was a far-and-away record for the artist, and it set the ball rolling, really. It flushed a few other paintings out that made even higher prices.”

But why did Jagger paintings take off all of a sudden? “Why in the last 10 years those prices started to develop is a little difficult to pinpoint,” Bradbury says. “It comes down to one or two collectors taking it upon themselves to collect the artist and having the deep pockets to do so.”

Is this self-portrait unique? “If you google David Jagger and look at Wikipedia, there’s a self portrait in black and white that I believe is a larger version of the same one. Where it is, I don’t know,” he says. “It’s almost identical in how the shoulders are eradicated so that it’s a suspended face on a black background. It’s very similar in style.”

What makes this self portrait so strong? “It has an incredibly modern feel about it,” Bradbury says. “It stands apart from his traditional society portraits. You can’t escape his gaze at all. It follows you. It’s absolutely intense, and very powerful when you stand in front of it, for sure. The two record portraits that sold previously had the same feel about them.”

How to bid: The Jagger self-portrait is lot 25 in Bonhams’s Modern British and Irish Art auction scheduled for June 14 at London, New Bond Street.

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Image is courtesy of Bonhams.

SOLD! Rockwell Kent’s Spellbinding 1930 Version of Moby Dick Commands $1,560 at Swann

M35763-7 002

What you see: One of the 280 pen-and-ink illustrations that Rockwell Kent did for a three-volume 1930 limited edition release of Moby Dick. This particular copy lacks its aluminum slipcase. Swann Auction Galleries estimates it at $2,000 to $3,000.

Who was Rockwell Kent? He was one of the best-known American artists of the first half of the 20th century. He was noted for his landscapes and seascapes before making his name as an illustrator. People mixed him up with Norman Rockwell so often that it became a running joke between the two men. Kent died in 1971 at the age of 88.

How did the limited edition printing of Moby Dick come about? Publisher R.R. Donnelley approached Kent in 1926 to do a version of Two Years Before the Mast, and he suggested doing the Melville novel instead. “Kent loved the sea, and the water. He was a master of painting light, and was able to capture that, even in his woodcuts,” says Christine von der Linn, specialist at Swann. “Moby Dick was originally slated to be a one-volume book, and it grew to three.”

Kent’s illustrated Moby Dick came out in 1930, during the Great Depression. How well did it sell? “It was so popular, the limited edition of 1,000 sold out,” she says. “It launched Kent’s name, and caused a revival of interest in Moby Dick. It was so popular that a one-volume trade edition was put out.”

This copy lacks its aluminum slipcase. Does that affect its value? Yes. It’d be worth one-third to one-half more if it came with the slipcase, von der Linn says, noting that the Kent limited edition was jokingly referred to as ‘Moby Dick in a can.’

That image of the whale diving deep into the ocean with the boat in its mouth looks cinematic. Was Kent influenced by the movies at all? “He was certainly aware of the current culture and would have seen movies, but he was not thinking in a cinematic way,” she says. “He loved black and white, and he tried to distill the most dramatic details out of a scene. He was always thinking about reaching the reader in the most visually direct way possible.”

But that drawing, tho. “That image is phenomenal. You can’t look at that and not get chills,” she says. “You understand everything about the novel. It’s incredible.”

What else makes Kent’s version of Moby Dick so spectacular? “It blows you away with the overall beauty of it,” she says. “As you flip through the pages, you feel it come to life through Kent’s illustrations. That’s the mark of a successful illustrated book–if you can make the words leap off the page and spring to life.”

How to bid: The limited edition Rockwell Kent-illustrated Moby Dick is lot 184 in Swann’s Art, Press & Illustrated Books sale on June 13.

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Image is courtesy of Swann Auction Galleries.

An Extra-Rare Original Woodstock Concert Poster Could Command $2,500 at Heritage Auctions

Woodstock Festival Poster Signed by Artist Arnold Skolnik (1969)_edited

What you see: An original 1969 Woodstock concert poster that shows just the artwork–no small text–and is signed by Arnold Skolnik, the artist who designed it. It’s in Very Good Plus condition and is estimated at $2,500.

How rare are original Woodstock concert posters in general, and how rare is it to find one that lacks the band names, the concert dates, and other small text? “Woodstock concert posters are rare, and this one is unusual,” says Giles Moon, consignment director of entertainment and music memorabilia at Heritage Auctions, adding, “I think that purist concert poster collectors want the version used to advertise the concert.”

The lot just before this one in the sale is a signed original Woodstock poster that has the small text. Its starting bid is $1,000, but the starting bid for this poster is $1,250. Why? “That’s intriguing. I’m not certain why that is,” he says, noting that this is the first artwork-only original Woodstock poster that he has handled. “This one might be more unusual, and that might be why there’s a higher starting bid on it.”

The poster is signed by Arnold Skolnik, the artist who designed it. Does that add to its value? “It adds several hundred dollars to the poster,” he says. “It doesn’t double the value, but it adds 20 to 30 percent. It’s difficult to say how many original Woodstock concert posters he signed. The majority of the originals have not been signed. In 2009, we sold one for $1,000, and I would expect the price to have jumped a bit since then.”

Were Woodstock posters collected at the time of the concert, or only later on? “It’s nearly always the case that they’re collected later on. That’s why the posters are so rare,” Moon says. “No one imagined they’d become collectible or valuable. They were just discarded. People who saved them were keeping them for aesthetic reasons.”

What makes this poster so successful? “It’s a simple, strong image that gets across the concept of what the festival was,” he says. “And it was a departure from the psychedelia as well. Lots of posters were trippy, intricate and complicated. This is simplistic.”

How to bid: The artwork-only original Woodstock concert poster is lot #89705 in Heritage Auctions’s Entertainment & Music Memorabilia Signature Auction on June 17 and 18 in Beverly Hills, Calif.

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Image is courtesy of Heritage Auctions.

SOLD! Wright Sold That Amazing Macchie Vase for $8,450


Update: The macchie vase sold for $8,450.

What you see: A macchie (mah-key-aye) vase created circa 1890 by the Italian company Francesco Ferro e Figlio. Wright estimates it at $4,000 to $6,000.

What is Francesco Ferro e Figlio? It was a company founded in 1880 by Francesco Ferro and his son, Ferdinando. It ceased doing business under this name after Francesco died in 1901.

Wait, this vase was made in 1890? The late 19th century? Seriously? “So many 19th century pieces really do look modern,” says Sara Blumberg, a consultant for Wright. “This has no handles and no great ornamentation except for the glass itself. They really were making a step forward out of the baroque.”

How difficult would this have been to make in 1890? “Regardless of the technique, there are great losses. There’s a level of difficulty when dealing with different types of glass in the same vessel. You can think of it as studio glass in that regard,” she says. “A lot of the aspects are dependent on the day, the blower, the conditions, and luck as well.”

The vase stands 12 inches tall. Did its size pose a challenge to the glassblower? “Generally speaking, the larger a vessel becomes, the more difficult it is to make,” Blumberg says. “Twelve inches may not seem incredibly large, but for the 19th century, it is.”

Is it unique? “It’s unique in the sense that every vase is hand-blown. But in 25 years, I’ve never handled one,” she says. “It’s really very rare.”

What does “macchie” mean? It means “spot,” or “spotted.” It’s a literal description of the vase’s appearance.

What else makes this vase special? “It’s rather startling to look at. It’s a simple vessel, but there’s all this activity on the surface. It’s like looking at an abstract painting,” she says. “It’s quite early, but it has a modernity to it. There’s an artistic presence here that’s very intentional, and beautiful to see. That’s what makes the piece so exciting and rare. You don’t come across it very often.”

How to bid: The macchie vase is lot 223 in The Design Collection of Dimitri Levas, taking place June 8 at Wright.

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Image is courtesy of Wright.


SOLD! The Brett Whiteley Painting Fetched $538,366 at Bonhams Sydney

Lot 37_Whiteley

Update: Brett Whiteley’s Hummingbird and Frangipani sold for AU $719,800, or $538,366, at Bonhams Sydney.

What you see: Hummingbird and Frangipani, a 1986 oil on board by Australian artist Brett Whiteley. It comes directly from its original owner to Bonhams, which estimates it at $280,000 to $350,000 in Australian dollars, or $210,000 to $260,000 in U.S. dollars.

Who is Brett Whiteley? He was one of the leading Australian artists of the 20th century. He traveled the world, living in England and the U.S. as well as Australia. In 1978 he achieved the feat of winning the Archibald Prize, the Sulman Prize, and the Wynne Prize, the only time all three prestigious Australian art awards have gone to the same person. Overall, he won each award twice. He made several attempts to quit alcohol and drugs, but ultimately died of an opiate overdose in 1992, at the age of 53.

How often did Whiteley portray hummingbirds and frangipani? “He was fascinated with birds, and painted them from the 1970s onward,” says Alex Clark, an Australian art specialist at Bonhams. “You can often find frangipani hidden in the backgrounds of his paintings. You can find them all over Sydney, and being a Sydney boy, he had a close connection to them. This is a very beautiful painting that combines two of his favorite subject matters.”

How often did he paint birds? “He’s renowned for his birds,” he says. “In general, the bird is a sign of peace and freedom. Whiteley led a bit of a tumultuous life. When he painted birds, he was in a happier place. It gave him a lot of joy.”

How does Hummingbird and Frangipani showcase Whiteley’s strengths? “He has an amazing ability to give movement to paintings,” Clark says. “In this, you see it in the beautiful sweeping line of the hummingbird’s wing.”

What else makes Hummingbird and Frangipani a strong Whiteley work? “It’s an extremely elegant work, and it has great wall power,” he says. “It’s exciting to handle a work of this nature, especially since no one has seen it for 30 years. And his bird paintings are very sought-after.”

How to bid: Whiteley’s Hummingbird and Frangipani is lot 37 in the Australian Art and Aboriginal Art auction at Bonhams Sydney on June 6.

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Image is courtesy of Bonhams.