SOLD! A Bonnie and Clyde Ring Commands $25,000

A silver-toned three-headed snake ring with red and green gemstones, made by Clyde Barrow during a prison stay at Eastham Prison Farm in Texas and later given to Bonnie Parker.

Update: The Bonnie and Clyde ring sold for $25,000.

What you see: A silver-toned three-headed snake ring with red and green gemstones, made by Clyde Barrow during a prison stay at Eastham Prison Farm in Texas and later given to Bonnie Parker. RR Auction estimates it at more than $40,000.

Who were Clyde Barrow and Bonnie Parker? Better known as Bonnie and Clyde, the couple were notorious Depression-era bank robbers who were romanticized in the press. They died in a police ambush in Louisiana in May 1934 in which officers fired 130 rounds at their car. Barrow was 25. Parker was 23.

How do we know that Bonnie Parker wore this ring, and how do we know that Clyde Barrow made it for her? Barrow left a maker’s mark on the ring: A B-note with an arrow. “When I sat next to the jeweler and he deciphered the logo, it was like, ‘Eureka!’,” says Bobby Livingston, executive vice president at RR Auction. “Things like that happen only a few times in a career. It was one of the most incredible finds I’ve ever had.” We don’t know when Barrow gave the ring to Parker, but we do know he made a belt with a snake motif during the same prison stay and mailed it to his sister.

How did Parker lose the ring? She left it behind when she and Barrow fled their stolen 1933 Ford Model B on November 22, 1933, near Sowers, Texas. Sheriff Smoot Schmid, who led the raid, recovered the ring from the bullet-strafed car, noting it in his inventory as “Bonnie Parker Ring (3 Silver Snakes with Tiny Jewels).” Schmid’s heirs consigned it to RR Auctions.

Why did Schmid keep the Bonnie and Clyde ring? “It was very common for Bonnie and Clyde to abandon property,” Livingston says. “The police didn’t get paid a lot. Bonnie and Clyde were infamous. They took these things as souvenirs, and were known to.”

What size is the Bonnie and Clyde ring? “I think it’s a size four. Bonnie was very small,” Livingston says. “I looked at it under a high-powered microscope. It’s worn, for sure, but you would not want to wear it. We expect it to sell for a lot of money, and expect it to be curated as an artifact and never worn again.”

Is the Bonnie and Clyde ring well-made? “It’s pretty nice. It’s not by an amateur,” Livingston says. “He was talented. It’s not crude at all.”

What else makes this Bonnie and Clyde ring special? “This is the closest thing Bonnie and Clyde had to a wedding ring,” he says, adding that Parker was wearing a wedding ring when she died (she married a fellow high school student at 16, but was estranged from her husband and had never sought a divorce). “It’s one of the few pieces made by Clyde and given to Bonnie, and she wore it. To me, the ring represents the deep love they had for each other.”

How to bid: Bonnie Parker’s promise ring is lot 2039 in the Gangsters, Outlaws, and Lawmen sale at RR Auction. Online pre-bidding takes place from June 16 through June 23; the live auction takes place June 24, 2017 in Boston.

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Image is courtesy of RR Auction.

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Willie Stargell’s Bronze MLB Lifetime Passes Get $4,555 at SCP Auctions

The Major League Baseball (MLB) and National Baseball Hall of Fame and Museum lifetime passes that belonged to Willie Stargell.

What you see: The Major League Baseball (MLB) and National Baseball Hall of Fame and Museum lifetime passes that belonged to Willie Stargell. SCP Auctions estimates the group, which includes a personalized leather carrying case, at $3,000 to $5,000.

Who was Willie Stargell? Wilver Dornell “Willie” Stargell was a legendary left fielder and first baseman for the Pittsburgh Pirates. He appeared on two World Series-winning Pirates teams, in 1971 and 1979. He holds the distinction of being the only baseball player to win the Major League Baseball  Most Valuable Player (MVP) award, the League Championship Series MVP award, and the World Series MVP award in the same year, and he did it at the age of 39. He was 25 home runs shy of the magical threshold of 500 when he retired from baseball in 1982. He died in 2001, at 61, two days before the Pirates unveiled a statue of him at PNC Park.

When did Stargell receive these bronze MLB lifetime passes? It’s not clear, but he might have received the MLB lifetime pass on or around his retirement, and he probably earned the Cooperstown pass in 1988, after he was elected to the Baseball Hall of Fame in his first year of eligibility.

Are those passes made of gold? Nope, they’re bronze. “They’re solid metal, but both are about as thick as a credit card,” says Dan Imler, vice president of SCP Auctions.

Did Stargell have the personalized leather case made to hold them both? “The case was issued with the Hall of Fame pass,” says Imler. “It does accommodate two passes. He obviously got them separately. They happen to fit perfectly in this particular case.”

Did Stargell actually carry the bronze MLB lifetime passes on his person and use them? “It’s interesting,” Imler says. “We know he got the case with the Hall of Fame pass. The pass itself shows less wear than the MLB pass. There’s minor general wear on the case itself. It definitely has the appearance of having used the passes, but it’s hard to know how frequently.”

How often do you see bronze MLB lifetime passes kept together as a pair, as these have been? “I can’t recall ever receiving them together in a case,” Imler says. “They could be sold independently, but we feel like Willie Stargell viewed them as mates, and they were viewed as mates by the family. We want to keep the presentation as it was kept by him.”

How to bid: The bronze MLB lifetime passes given to Stargell are lot 145 in SCP Auctions’s Spring Premier Auction, which opens on May 24 and ends on June 10, 2017.

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Image is courtesy of SCP Auctions.

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Rockwell Kent’s Moby Dick Commands $1,560

One of the 280 pen-and-ink illustrations that Rockwell Kent did for a three-volume 1930 limited edition release of Moby Dick. This particular copy lacks its aluminum slipcase.

What you see: One of the 280 pen-and-ink illustrations that Rockwell Kent did for a three-volume 1930 limited edition release of Moby Dick. This particular copy lacks its aluminum slipcase. Swann Auction Galleries estimates it at $2,000 to $3,000.

Who was Rockwell Kent? He was one of the best-known American artists of the first half of the 20th century. He was noted for his landscapes and seascapes before making his name as an illustrator. People mixed him up with Norman Rockwell so often that it became a running joke between the two men. Kent died in 1971 at the age of 88.

How did the limited edition printing of Moby Dick come about? Publisher R.R. Donnelley approached Kent in 1926 to do a version of Two Years Before the Mast, and he suggested doing the Melville novel instead. “Kent loved the sea, and the water. He was a master of painting light, and was able to capture that, even in his woodcuts,” says Christine von der Linn, specialist at Swann. “Moby Dick was originally slated to be a one-volume book, and it grew to three.”

Rockwell Kent’s Moby Dick came out in 1930, during the Great Depression. How well did it sell? “It was so popular, the limited edition of 1,000 sold out,” she says. “It launched Kent’s name, and caused a revival of interest in Moby Dick. It was so popular that a one-volume trade edition was put out.”

This copy of Rockwell Kent’s Moby Dick lacks its aluminum slipcase. Does that affect its value? Yes. It’d be worth one-third to one-half more if it came with the slipcase, von der Linn says, noting that the Kent limited edition was jokingly referred to as ‘Moby Dick in a can.’

That image of the whale diving deep into the ocean with the boat in its mouth looks cinematic. Was Kent influenced by the movies at all? “He was certainly aware of the current culture and would have seen movies, but he was not thinking in a cinematic way,” she says. “He loved black and white, and he tried to distill the most dramatic details out of a scene. He was always thinking about reaching the reader in the most visually direct way possible.”

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But that drawing, tho. “That image is phenomenal. You can’t look at that and not get chills,” she says. “You understand everything about the novel. It’s incredible.”

What else makes Rockwell Kent’s Moby Dick so spectacular? “It blows you away with the overall beauty of it,” she says. “As you flip through the pages, you feel it come to life through Kent’s illustrations. That’s the mark of a successful illustrated book–if you can make the words leap off the page and spring to life.”

How to bid: Rockwell Kent’s Moby Dick is lot 184 in Swann’s Art, Press & Illustrated Books sale on June 13, 2017.

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Image is courtesy of Swann Auction Galleries.

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An Original Woodstock Concert Poster Could Command $2,500

An original 1969 Woodstock concert poster that shows just the artwork--no small text--and is signed by Arnold Skolnik, the artist who designed it.

What you see: An original 1969 Woodstock concert poster that shows just the artwork–no small text–and is signed by Arnold Skolnik, the artist who designed it. It’s in Very Good Plus condition and is estimated at $2,500.

How rare are original Woodstock concert posters in general, and how rare is it to find one that lacks the band names, the concert dates, and other small text? “Woodstock concert posters are rare, and this one is unusual,” says Giles Moon, consignment director of entertainment and music memorabilia at Heritage Auctions, adding, “I think that purist concert poster collectors want the version used to advertise the concert.”

The lot just before this one in the sale is a signed original Woodstock concert poster that has the small text. Its starting bid is $1,000, but the starting bid for this poster is $1,250. Why? “That’s intriguing. I’m not certain why that is,” he says, noting that this is the first artwork-only original Woodstock poster that he has handled. “This one might be more unusual, and that might be why there’s a higher starting bid on it.”

The original Woodstock concert poster is signed by Arnold Skolnik, the artist who designed it. Does that add to its value? “It adds several hundred dollars to the poster,” he says. “It doesn’t double the value, but it adds 20 to 30 percent. It’s difficult to say how many original Woodstock concert posters he signed. The majority of the originals have not been signed. In 2009, we sold one for $1,000, and I would expect the price to have jumped a bit since then.”

Were Woodstock posters collected at the time of the concert, or only later on? “It’s nearly always the case that they’re collected later on. That’s why the posters are so rare,” Moon says. “No one imagined they’d become collectible or valuable. They were just discarded. People who saved them were keeping them for aesthetic reasons.”

What makes this original Woodstock concert poster so successful? “It’s a simple, strong image that gets across the concept of what the festival was,” he says. “And it was a departure from the psychedelia as well. Lots of posters were trippy, intricate and complicated. This is simplistic.”

How to bid: The artwork-only original Woodstock concert poster is lot #89705 in Heritage Auctions’s Entertainment & Music Memorabilia Signature Auction on June 17 and 18 in Beverly Hills, Calif.

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SOLD! Wright Sold That Amazing Macchie Vase for $8,450

A macchie (mah-key-aye) vase created circa 1890 by the Italian company Francesco Ferro e Figlio.

Update: The macchie vase sold for $8,450.

What you see: A macchie (mah-key-aye) vase created circa 1890 by the Italian company Francesco Ferro e Figlio. Wright estimates it at $4,000 to $6,000.

What is Francesco Ferro e Figlio? It was a company founded in 1880 by Francesco Ferro and his son, Ferdinando. It ceased doing business under this name after Francesco died in 1901.

Wait, this vase was made in 1890? The late 19th century? Seriously? “So many 19th century pieces really do look modern,” says Sara Blumberg, a consultant for Wright. “This has no handles and no great ornamentation except for the glass itself. They really were making a step forward out of the baroque.”

How difficult would this macchie vase have been to make in 1890? “Regardless of the technique, there are great losses. There’s a level of difficulty when dealing with different types of glass in the same vessel. You can think of it as studio glass in that regard,” she says. “A lot of the aspects are dependent on the day, the blower, the conditions, and luck as well.”

The macchie vase stands 12 inches tall. Did its size pose a challenge to the glassblower? “Generally speaking, the larger a vessel becomes, the more difficult it is to make,” Blumberg says. “Twelve inches may not seem incredibly large, but for the 19th century, it is.”

Is the macchie vase unique? “It’s unique in the sense that every vase is hand-blown. But in 25 years, I’ve never handled one,” she says. “It’s really very rare.”

What does “macchie” mean? It means “spot,” or “spotted.” It’s a literal description of the vase’s appearance.

What else makes this macchie vase special? “It’s rather startling to look at. It’s a simple vessel, but there’s all this activity on the surface. It’s like looking at an abstract painting,” she says. “It’s quite early, but it has a modernity to it. There’s an artistic presence here that’s very intentional, and beautiful to see. That’s what makes the piece so exciting and rare. You don’t come across it very often.”

How to bid: The macchie vase is lot 223 in The Design Collection of Dimitri Levas, taking place June 8, 2017 at Wright.

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Image is courtesy of Wright.

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