RECORD: John Lennon’s Long-Lost 1962 Gibson Commands $2.4 Million at Julien’s

Lennon Guitar

What you see: A 1962 Gibson acoustic guitar, owned and used by John Lennon. Julien’s Auctions sold it in November 2015 for $2.4 million–a record for any guitar at auction.

How rare are John Lennon-owned and -played guitars? “They’re very rare, and it’s especially rare for them to come to market. Yoko would have most of them, and he gave very few away,” says Martin Nolan, executive director of Julien’s Auctions, who notes that the house has handled four Lennon guitars in the last 15 years. “This particular guitar was a lost guitar. There was intrigue about it. He and George Harrison bought two together in 1961. It cost $165 for each, and it took Lennon a whole year to pay his off.”

Your colleague, Darren Julien, describes this as a “Holy Grail Beatles instrument.” What makes it a Holy Grail Beatles instrument? “Because it came to John at a very important time, at an early stage of the Beatles,” Nolan says. “Paul and John were going to each others’ homes to write songs. Such important songs were written on it. Then it disappeared at a show and no one knew where it ended up. Lennon never saw it again.”

How did Lennon’s guitar go missing? “What probably happened was–this was during some Christmas concerts in 1963 in the U.K. The Beatles were one of the acts performing. It was Christmas, and there was alcohol and other drugs involved. It could have been a completely innocent mistake, picked up by another band,” he says, adding that Lennon filed a police report when he realized his guitar was gone.

How do we know that Lennon used this instrument to write All My Loving, I Want to Hold Your Hand, Please, Please Me, and other Beatles hits? “We know when those songs were written, and we know John had this particular guitar,” he says. “He was a young guy. He didn’t have a massive amount of guitars [then]. He didn’t have endorsements from Fender and Gibson. And we have [period] photos from the living room of Paul.”

How did the consignor, John McCaw, end up with the guitar? Somehow it found its way to San Diego, where McCaw bought it in 1967 for $220. “He got 47 years of absolute enjoyment from it,” Nolan says. “He taught his kids to play guitar on it. He had no idea what it was. To see him standing in that massively crowded auction room, and to see the guitar go higher and higher–it was a life-changing event for him. He retired soon after, and he’s enjoying life.”

What was it like to be in that sale room when the Lennon guitar reached the block? “We hoped it would be the guitar to break one million. That was our goal. When it broke two million, we were on the floor,” he says. “There was a frenzy of bidding. It was a moving moment, emotional for us and for John McCaw, to set the world record. I wish we could have those every day.”

How long do you think the record is going to stand? “I think it’s going to be a long time. It’s hard to think of a guitar that could smash that record,” he says. “The Bob Dylan guitar was a very historically important guitar, and it sold for $965,000. The John Lennon guitar sold for $2.4 million. It’ll be a long time before the record breaks.”

How does the guitar play? “It plays really well,” he says. “John McCaw himself played it at the exhibition [before the sale]. It’s a really nice guitar, in excellent condition.”

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Julien’s Auctions is on Twitter and Instagram. You can also watch the YouTube video recap of the December 2015 Julien’s auction. The segment on the Lennon guitar begins around 2:50 and ends around 5:12.

RECORD: R. Crumb’s Original Cover Art for His Best-Selling Fritz the Cat Book Commands $717,000 at Heritage

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What you see: R. Crumb’s original cover art for the best-selling 1969 book Fritz the Cat. Heritage Auctions sold it in May 2017 for $717,000–a record for Crumb, and a record for any original piece of American comic art.

Who is R. Crumb? He is an American artist who led the underground comix movement. He co-founded Zap Comix and created one of the counterculture’s most enduring images with his Keep On Truckin’ single-page comic, which appeared in the first issue of Zap. Much of Crumb’s output is proudly NSFW, so Google at your own risk. In 2009, he published a graphic novel based on the Biblical Book of Genesis. He will turn 74 on August 30.

How rare are original pieces of Crumb comic art at auction? “We sell a lot of it. There’s been kind of a boom lately,” says Ed Jaster, senior vice president at Heritage Auctions. “Crumb has always been a staple of what we offer in our Comic and Comic Art sales, but we’ve never had the wealth and breadth up and down the line with what we’ve had in the last year and a half.”

This work by R. Crumb is the most valuable original comic art ever sold at auction, beating a 1990 cover from the Amazing Spider-Man #328 and a 1974 page from an Incredible Hulk comic that shows the debut of Wolverine. What’s the significance of that? “Put it this way. If you want to buy a Picasso pen-and-ink drawing, $717,000 will get you a really good pen-and-ink drawing,” he says. “You certainly could buy a more expensive Picasso drawing, but this is right there.”

Why has Crumb bested the more traditional superhero comic book artists? “What’s special about Crumb is he’s transcendental. He’s transcended his given media,” Jaster says. “There’s no comic book artist I can think of who’s had as many museum shows and international shows as he has. Crumb has been relevant ever since the hippie days and he’s never gone out of style.”

How long do you think these records will stand? “The original comic book art one, maybe not too long. Comic book art is incredibly popular,” he says. “Those two $657,000 sales were as pleasant a surprise as the Crumb art was. There are scores of things more desirable than them out there. It’s just a matter of them coming to the market. There’s probably an amazing thing out there that will get five or ten million, if it exists. As far as breaking the record for Crumb, I know the cover art for the Cheap Thrills record album is out there. The first Keep on Truckin’ or the cover of Zap Comics #1, a very small distribution comic, are the things that could sell for more.”

What else makes this piece of original Crumb comic book art special? “There’s some irony here in that Crumb is known for pushing the envelope with his subject matter and political views, but Fritz and his girlfriend are quite demure. It’s PG-13 for Crumb, who is known for adult material. It’s kind of a sweet thing,” he says. “And the book, Fritz the Cat, moved Crumb up in importance to be maybe the most famous cartoonist of his generation. It catapulted him from the guy who does sleazy, objectionable stuff to a guy who was really important, and this was the piece that did that.”

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Heritage Auctions is on Twitter and Instagram as well.

Image is courtesy of Heritage Auctions.

Graham Nash’s collection of original Crumb comic artworks is up for bid in Heritage Auction’s Comics & Comic Art Signature Auction in Dallas from August 10 to 12.

 

SOLD! An Original Song of the South Animation Cel with Walt Disney’s Signature Gets Almost $9,000 at Heritage Auctions

Song of the South Br'er Rabbit Production Cel with Walt Disney Signature...

Update: The production cel from Song of the South, signed by Walt Disney, sold for $8,962.50.

What you see: An original production cel from Song of the South, a Disney film released in 1946. It pictures Br’er Rabbit, the lead character of the stories depicted in the film. Walt Disney signed it on its cream-colored mat. Jim Lentz, director of animation art for Heritage Auctions, says it could sell for as much as $5,000.

Are original production cels from Song of the South scarcer than original cels from other Disney movies? “There are fewer in that Song of the South wasn’t all animated. Some was live action,” Lentz says.

Are cels from Song of the South more sought-after than other Disney cels? “They’re considered highly desirable because they have an aura of the unknown,” he says. “Disney has not released the film in any format in the United States because of political incorrectness.” Set in the Reconstruction-era South, the film follows young Johnny’s visit to his grandfather’s plantation in Georgia, where he meets Uncle Remus, a plantation worker who tells the boy folk tales.

How rare is it to find an original Song of the South cel with a Walt Disney signature? “The thing about Walt Disney was he was a very, very busy man. A lot of Disney signatures were done by studio artists. Even secretaries did them. So when you get one done by Walt, that is rare,” Lentz says, noting that he has handled fewer than three Disney-signed original production cels from Song of the South.

How do we know that the Walt Disney signature is genuine? Lentz consulted another expert for verification. “I sent it to someone in the business who specializes,” he says.

According to the lot notes, this piece has an ‘original Courvoisier cel setup’ and is in its ‘original Courvoisier mat.’ What does that mean, and why is that good? In the 1930s and 1940s, Disney worked with Gustav Courvoisier to sell animation cels through the latter’s San Francisco gallery. “The studio thought it was a great way to promote the films,” Lentz says. Disney studio artists painted backgrounds for cels offered through Courvoisier. These cels usually have a cream-colored mat and notations in tiny script that identify which films they brought to life. Courvoisier died around the time Song of the South came out.

How does this cel stack up to other Song of the South cels you’ve handled? “It’s one of the few I’ve seen with a Walt Disney signature and a happy Br’er Rabbit, who is the star of the show,” he says. “It’s a great, great piece. This is as good as it gets.”

How to bid: The Disney-signed Song of the South cel is lot #95187 in the Animation Art sale Heritage Auctions will hold in Dallas on July 1-2.

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Image is courtesy of Heritage Auctions.

SOLD! A Beatles Photo Signed on the Set of A Hard Day’s Night Fetches Almost $9,000 at Bonhams

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Update: The signed Beatles photo sold for £6,875, or $8,774.

What you see: An 8-by-10-inch black-and-white publicity photograph of the Beatles, shot on March 24, 1964 by Dezo Hoffman and signed in blue pen by all four band members. Bonhams estimates it at £4,000 to £6,000 ($5,200 to $6,500).

How rare is it to see a print of this photo, signed by all the Beatles? “It’s not particularly rare, but to see it signed by all four on the front is unusual,” says Katherine Schofield, head of entertainment memorabilia at Bonhams. “Sometimes they signed it on the back, but it’s more desirable to have the signatures on the front.”

How rare is it to have anything that was signed by all of the Beatles? “Not that rare. They signed a hell of a lot–autograph books, fan club cards, albums, pieces of paper–Beatles signatures are not scarce,” she says. “A good set is still pretty common, and the market is discerning about what it wants. If it’s in good condition and more unusual, it bears stronger prices. Collectors tend to aim for signed albums, signed photos, and autograph pages. It’s tiered like that, but there’s a lot of things in between.”

What do you mean by “more unusual”? Schofield cited a piece of Buckingham Palace stationery, signed by the four in October 1965. It’s lot 165 in the same auction, estimated at £8,000 to £10,000 ($10,000 to $13,000). “I have seen another, but only one other,” Schofield says. She also mentioned a lot from the December 2016 Entertainment Memorabilia sale that was a plain British standard sheet of paper from 1963 on which each Beatle had drawn a caricature with their signatures. It commanded £21,250 ($27,425).

Are Beatles signatures from early in the band’s career worth more than signatures written later in the band’s career? “Very, very early signatures and later signature are sought after,” she says. “At the start of their career, not many signatures were asked for, and not many were kept. As the Beatles became less accessible in 1965 and definitely in 1966 and 1967, signatures are very sought after.”

This particular copy of the photo has tape marks, clipped corners, and other blemishes. Does that affect its value? “It’s a shame. It would be nicer if it was a cleaner image,” Schofield says. “But the damage does not affect the body of the photo. It’s visible, and the signatures are clear.”

This signed photo is fresh to market, going straight from the woman who received it as a preteen to Bonhams. How does that affect the value? “Provenance is important,” she says, explaining that the consignor’s father had been a vendor at the Scala Theatre when the Beatles filmed scenes for A Hard Day’s Night there. “She got onto the set and was given mementos, and this was one of the items she was given. She treasured it, and thought long and hard about selling it. We expect it to do well. The fact that it’s not dedicated [it’s not inscribed to a specific, named person] makes it more desirable. Normally the Beatles would put, ‘To Someone,’ and most people wanted them to do that. It’s nice that the photo has not been dedicated.”

How to bid: The signed Beatles photo is lot 162 in Bonhams’s Entertainment Memorabilia sale on June 28 in London.

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Image is courtesy of Bonhams.

 

An Extra-Rare Original Woodstock Concert Poster Could Command $2,500 at Heritage Auctions

Woodstock Festival Poster Signed by Artist Arnold Skolnik (1969)_edited

What you see: An original 1969 Woodstock concert poster that shows just the artwork–no small text–and is signed by Arnold Skolnik, the artist who designed it. It’s in Very Good Plus condition and is estimated at $2,500.

How rare are original Woodstock concert posters in general, and how rare is it to find one that lacks the band names, the concert dates, and other small text? “Woodstock concert posters are rare, and this one is unusual,” says Giles Moon, consignment director of entertainment and music memorabilia at Heritage Auctions, adding, “I think that purist concert poster collectors want the version used to advertise the concert.”

The lot just before this one in the sale is a signed original Woodstock poster that has the small text. Its starting bid is $1,000, but the starting bid for this poster is $1,250. Why? “That’s intriguing. I’m not certain why that is,” he says, noting that this is the first artwork-only original Woodstock poster that he has handled. “This one might be more unusual, and that might be why there’s a higher starting bid on it.”

The poster is signed by Arnold Skolnik, the artist who designed it. Does that add to its value? “It adds several hundred dollars to the poster,” he says. “It doesn’t double the value, but it adds 20 to 30 percent. It’s difficult to say how many original Woodstock concert posters he signed. The majority of the originals have not been signed. In 2009, we sold one for $1,000, and I would expect the price to have jumped a bit since then.”

Were Woodstock posters collected at the time of the concert, or only later on? “It’s nearly always the case that they’re collected later on. That’s why the posters are so rare,” Moon says. “No one imagined they’d become collectible or valuable. They were just discarded. People who saved them were keeping them for aesthetic reasons.”

What makes this poster so successful? “It’s a simple, strong image that gets across the concept of what the festival was,” he says. “And it was a departure from the psychedelia as well. Lots of posters were trippy, intricate and complicated. This is simplistic.”

How to bid: The artwork-only original Woodstock concert poster is lot #89705 in Heritage Auctions’s Entertainment & Music Memorabilia Signature Auction on June 17 and 18 in Beverly Hills, Calif.

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Image is courtesy of Heritage Auctions.

SOLD At Leslie Hindman Auctioneers: The Ringling Bros Joan of Arc Poster Collects $469

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Update: The Ringling Brothers Joan of Arc poster sold for $439.

What you see: A 1913 poster by Ringling Brothers, featuring Joan of Arc and promising a ‘Magnificent 1200 Character Spectacle.’ It’s from the Richard Bennett Collection of Circus Memorabilia. Leslie Hindman Auctioneers estimates the poster at $400 to $600.

Why is Joan of Arc on this Ringling Brothers poster? Where are the tigers, elephants, and clowns? “Circuses were not seen as the most classical or tasteful form of entertainment. To drum up business and legitimize the circus, the performers would parade through the streets dressed as classical Romans or knights with Joan of Arc,” says Nicholas Coombs, associate specialist at Leslie Hindman Auctioneers. “This spectacle was the first encounter the town would have with the circus, and it was a free parade down the main street.”

Why build a parade around Joan of Arc? Why would that be a draw in 1913? “Joan of Arc was a character who would have been known to a large slice of the population,” he says. “Ringling Brothers tried to appeal to as many people as possible. Joan of Arc certainly had that sort of cache among everyday, average Americans.”

What would the parade-goers have seen? “It would have been a fully-costumed production,” he says. “They probably tried to have as large a French army as possible, dressed up as knights. They tried to depict a mighty spectacle to get people to go to the circus later. They would have showed some animals as well.”

What other forms of entertainment was Ringling Brothers competing against in 1913? “It really didn’t have much competition,” Coombs says. “The circus was its own form of entertainment. A production this large, with thousands of people coming to your town–it was an event. Everyone came out to see it for miles around.”

The poster trumpets a 1200-person spectacle, but it only shows Joan of Arc and her horse. Is that unusual? “From the ones we’ve encountered, they try to sell the cast of a thousand characters aspect,” he says. “This stands out for its visual strength and its simplicity.”

How to bid: The Ringling Brothers Joan of Arc poster is lot 427 in the Documenting History: Science, Exploration sale at Leslie Hindman Auctioneers on May 4.

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Image is courtesy of Leslie Hindman Auctioneers.

SOLD: Julien’s Sells the Original Prop Bottle from I Dream of Jeannie for $34,375

486.00

Update: The I Dream of Jeannie prop bottle sold for $34,375.

What you see: The original prop bottle from the NBC sitcom I Dream of Jeannie (1965-1970). It’s hand-painted and stands 14 inches tall. Julien’s estimates it at $40,000 to $60,000.

How do we know this is the original prop bottle from I Dream of JeannieIt comes directly to Julien’s from the estate of Gene Nelson, who directed six episodes of the show’s first season, including the pilot, titled The Lady in the Bottle. At some point, Nelson obtained a letter of authenticity from Barbara Eden, who played the title character, Jeannie. Nelson died in 1996. Eden will turn 86 in August.

Did Nelson create the I Dream of Jeannie bottle? Nelson has the strongest claim on its origin story. He was hunting for something that didn’t look like Aladdin’s lamp, spotted a Jim Beam decanter in a liquor store window, snapped it up, and handed it over to the folks in the prop department, who peeled the labels off the glass and decorated it with paint. “There’s something unique in the fact that he saw this,” says Darren Julien, founder and CEO of Julien’s Auctions. “He was scouting around, found the bottle, and had the vision to paint it. He was a good visionary.”

Was it used on the set? Almost certainly, but coming up with a precise photo match is tough, given that the prop bottles were painted to look identical. But according to Julien, the animators would have referenced photos of this bottle when creating the opening credit sequence, and it’s safe to say it was shown in the early episodes that Nelson directed. He left I Dream of Jeannie after repeated clashes with Larry Hagman, who played astronaut Tony Nelson on the show.

How rare is the bottle? “It’s very rare. We have not handled one before. Not many survive, and nobody back then would have saved anything like that,” says Julien, adding, “It’s the Holy Grail of the series to have. It’s what the show is about. Provenance is king, and it has such a solid history. It’s an iconic piece that’s going to sell for a lot more than our estimate.”

So, does it come with Barbara Eden? No, but it does include the letter of authentication that she wrote for Nelson. The bottle’s interior is also unfurnished and long since emptied of its whiskey. And neither Julien’s nor The Hot Bid is responsible for the I Dream of Jeannie theme song getting stuck in your head.

Damn you! #SorryNotSorry

How to bid: The I Dream of Jeannie original bottle is lot 486 in the Property from the Estate of Patrick Swayze and Hollywood Legends 2017 auction on April 28 at Julien’s.

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Image is courtesy of Julien’s Auctions.

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