WOW! An Abraham Lincoln Parade Lantern Sold for (Scroll Down to See)

This rare circa 1860s parade lantern features an image of Abraham Lincoln on one panel and a spread-winged eagle sitting on a shield with the word "union" on it.

Update: Heritage Auctions sold the Abraham Lincoln parade lantern for $22,500.

What you see: A glass and tin Abraham Lincoln parade lantern, dating to the 1860s. While Heritage Auctions has not given it an official estimate, bidding opened at $7,500.

The expert: Tom Slater, director of Americana auctions for Heritage Auctions.

How popular were political torchlight parades in the 19th century? In the 19th century, obviously, they didn’t have the communications media we have today. It was important to promote candidates, and torchlight parades were a popular way to do that. They were big events, and integral to politics from 1830 to about 1880 or 1890.

And they fade away after electricity begins to spread? Sure. It’s not coincidental that you see them until the 1890s.

How rare are these lanterns, period, never mind those that depict Abraham Lincoln? I’ve only seen one, two, or three examples of each type. It’s hard to say how many of them there were.

How many people in a parade would have had a lantern as fancy as this one? Multiple people carried torches on the ends of poles. Something like this, there would have been fewer to begin with. They’re really, really rare. We don’t really have evidence if [paraders carried] multiples of this exact type. They heyday of tin and glass lamps is from 1850 to 1872.

So, one person might have had the privilege of carrying this lantern, and the rest might have had more mundane lanterns? It could very well be. It would have been like with a candle. There’s a fitting in the bottom for one.

Is the pole original? It’s the original tin pole. It would have extended a couple of inches beyond what you see in the pictures to fit into a wooden pole.

What’s that thing on the top that looks like an upside-down cupcake wrapper? It’s a vent. Heat would vent from the candle.

Are the printed paper Lincoln and eagle-with-shield images sandwiched between clear glass? The glass is outside, protecting the paper, which adheres to the reverse of the glass. There’s deterioration around the perimeter, which is not that surprising.

Yes, what kind of condition is the lantern in? And what does it mean to talk about condition when maybe three examples survive? You could use the term “excellent” if you wanted to. It’s all there–all four glass panels, and the image is strong. It’s all there. There’s as much as you could ask for from a lantern.

So it has the ideal amount of wear? If it looked like it was made yesterday, it wouldn’t be interesting to me. This has the perfect look. You can see immediately that it’s old. You can relate it to something that happened 150 years ago.

The rare circa 1860s campaign parade lantern for Abraham Lincoln, showing the other two sides of the four-sided object. One is entirely blue, and the other is entirely red.

Why are two of the four panels colored red and blue? To make it colorful, and make a better, colorful display. There’s no symbolic significance. You see red and blue in a lot of political material.

Have you tried putting an LED light in it to get a notion of what it looked like all lit up? That would be ideal. There’s always a risk that a candle could fall over and set the paper on fire. Some have to be backlit [to get a notion of what they’re like] but in this case, as long as there’s daylight, you can see the image very clearly. You don’t need a light inside to make it present better.

Do we know what company might have made the lantern? We don’t.

But it wasn’t made by an enthusiastic individual? It’s definitely manufactured, with paper inserts sized to fit that particular lantern. It’s a complete manufactured unit. It was almost certainly made in New England.

Would Lincoln’s campaign have provided the lantern to paraders? We’re sure it didn’t come from a central source. Political parties were much more local in those days. There was probably a company you could order it from, but it was not provided from above.

How on earth did something this fragile survive so well for so long? The vast majority of lanterns did not survive. People didn’t think they were important to save. Generally, these were disposable, not made as souvenirs to be kept. They served a purpose. But there’s no specific information on how, when, and where [this one survived].

Have you seen the other two surviving Lincoln lanterns? How does this one compare to them? We’re just guessing there might be three. Personally, I’ve never seen another. I can guarantee there’s not five.

This lantern is shown on page 274 of Arthur Schlessinger Jr.’s book Running for President: The Candidates and Their Images 1789-1896. How, if at all, does that affect the lantern’s value? It definitely adds something. It’s considered one of the definitive reference books on political memorabilia. Being chosen to illustrate the book adds cachet. I’m not sure it adds dollar value, but it adds cachet.

What is it like in person? It’s arresting. It communicates the flavor of the times. It’s a very evocative piece, very pleasing to look at.

Why will it stick in your memory? It’s a particularly rare and desirable type of item. You don’t see it very often. And it’s Lincoln. Everybody loves Lincoln. Lincoln is magic because of his historic nature–a wartime president, maybe the greatest president, and he was assassinated at the end of the war. We get bids on Lincoln items from people who aren’t political collectors.

How to bid: The Lincoln lantern is lot #36163 in The David and Janice Frent Collection of Presidential and Political Americana, Part V, taking place at Heritage Auctions June 22 and June 23, 2019.

How to subscribe to The Hot BidClick the trio of dots at the upper right of this page. You can also follow The Hot Bid on Instagram and follow the author on Twitter.

Heritage Auctions is on Twitter and Instagram.

Image is courtesy of Heritage Auctions.

Would you like to hire Sheila Gibson Stoodley for writing or editing work? Click the word “Menu” at the upper right for contact details.

Will An Abraham Lincoln Lantern Burn Brightly at Heritage Auctions?

This rare circa 1860s parade lantern features an image of Abraham Lincoln on one panel and a spread-winged eagle sitting on a shield with the word "union" on it.

What you see: A glass and tin Abraham Lincoln parade lantern, dating to the 1860s. While Heritage Auctions has not given it an official estimate, bidding opened at $7,500.

The expert: Tom Slater, director of Americana auctions for Heritage Auctions.

How popular were political torchlight parades in the 19th century? In the 19th century, obviously, they didn’t have the communications media we have today. It was important to promote candidates, and torchlight parades were a popular way to do that. They were big events, and integral to politics from 1830 to about 1880 or 1890.

And they fade away after electricity begins to spread? Sure. It’s not coincidental that you see them until the 1890s.

How rare are these lanterns, period, never mind those that depict Abraham Lincoln? I’ve only seen one, two, or three examples of each type. It’s hard to say how many of them there were.

How many people in a parade would have had a lantern as fancy as this one? Multiple people carried torches on the ends of poles. Something like this, there would have been fewer to begin with. They’re really, really rare. We don’t really have evidence if [paraders carried] multiples of this exact type. They heyday of tin and glass lamps is from 1850 to 1872.

So, one person might have had the privilege of carrying this lantern, and the rest might have had more mundane lanterns? It could very well be. It would have been like with a candle. There’s a fitting in the bottom for one.

Is the pole original? It’s the original tin pole. It would have extended a couple of inches beyond what you see in the pictures to fit into a wooden pole.

What’s that thing on the top that looks like an upside-down cupcake wrapper? It’s a vent. Heat would vent from the candle.

Are the printed paper Lincoln and eagle-with-shield images sandwiched between clear glass? The glass is outside, protecting the paper, which adheres to the reverse of the glass. There’s deterioration around the perimeter, which is not that surprising.

Yes, what kind of condition is the lantern in? And what does it mean to talk about condition when maybe three examples survive? You could use the term “excellent” if you wanted to. It’s all there–all four glass panels, and the image is strong. It’s all there. There’s as much as you could ask for from a lantern.

So it has the ideal amount of wear? If it looked like it was made yesterday, it wouldn’t be interesting to me. This has the perfect look. You can see immediately that it’s old. You can relate it to something that happened 150 years ago.

The rare circa 1860s campaign parade lantern for Abraham Lincoln, showing the other two sides of the four-sided object. One is entirely blue, and the other is entirely red.

Why are two of the four panels colored red and blue? To make it colorful, and make a better, colorful display. There’s no symbolic significance. You see red and blue in a lot of political material.

Have you tried putting an LED light in it to get a notion of what it looked like all lit up? That would be ideal. There’s always a risk that a candle could fall over and set the paper on fire. Some have to be backlit [to get a notion of what they’re like] but in this case, as long as there’s daylight, you can see the image very clearly. You don’t need a light inside to make it present better.

Do we know what company might have made the lantern? We don’t.

But it wasn’t made by an enthusiastic individual? It’s definitely manufactured, with paper inserts sized to fit that particular lantern. It’s a complete manufactured unit. It was almost certainly made in New England.

Would Lincoln’s campaign have provided the lantern to paraders? We’re sure it didn’t come from a central source. Political parties were much more local in those days. There was probably a company you could order it from, but it was not provided from above.

How on earth did something this fragile survive so well for so long? The vast majority of lanterns did not survive. People didn’t think they were important to save. Generally, these were disposable, not made as souvenirs to be kept. They served a purpose. But there’s no specific information on how, when, and where [this one survived].

Have you seen the other two surviving Lincoln lanterns? How does this one compare to them? We’re just guessing there might be three. Personally, I’ve never seen another. I can guarantee there’s not five.

This lantern is shown on page 274 of Arthur Schlessinger Jr.’s book Running for President: The Candidates and Their Images 1789-1896. How, if at all, does that affect the lantern’s value? It definitely adds something. It’s considered one of the definitive reference books on political memorabilia. Being chosen to illustrate the book adds cachet. I’m not sure it adds dollar value, but it adds cachet.

What is it like in person? It’s arresting. It communicates the flavor of the times. It’s a very evocative piece, very pleasing to look at.

Why will it stick in your memory? It’s a particularly rare and desirable type of item. You don’t see it very often. And it’s Lincoln. Everybody loves Lincoln. Lincoln is magic because of his historic nature–a wartime president, maybe the greatest president, and he was assassinated at the end of the war. We get bids on Lincoln items from people who aren’t political collectors.

How to bid: The Lincoln lantern is lot #36163 in The David and Janice Frent Collection of Presidential and Political Americana, Part V, taking place at Heritage Auctions June 22 and June 23, 2019.

How to subscribe to The Hot BidClick the trio of dots at the upper right of this page. You can also follow The Hot Bid on Instagram and follow the author on Twitter.

Heritage Auctions is on Twitter and Instagram.

Image is courtesy of Heritage Auctions.

Would you like to hire Sheila Gibson Stoodley for writing or editing work? Click the word “Menu” at the upper right for contact details.

SOLD! Frank Sinatra’s Copy of the 1961 Inauguration Program for John F. Kennedy Fetched (Scroll Down to See)

Frank Sinatra's copy of the deluxe limited edition of the 1961 official program of the inaugural ceremonies for President John F. Kennedy and Vice President Lyndon B. Johnson.

Update: Frank Sinatra’s copy of the deluxe limited edition of the 1961 official program of the inaugural ceremonies for President John F. Kennedy sold for $1,250.

What you see: Frank Sinatra’s copy of the deluxe limited edition of the 1961 official program of the inaugural ceremonies for President John F. Kennedy and Vice President Lyndon B. Johnson. Sotheby’s estimates it at $3,000 to $5,000.

The expert: Selby Kiffer, senior vice president and international senior books specialist for Sotheby’s New York.

What is this deluxe limited edition 1961 inaugural program worth without the Sinatra provenance? It’s probably something like $700 to $1,000, but maybe that’s a bit aggressive–$600 to $800 for a deluxe limited edition that went to no one of consequence except being a big donor.

How big was the press run? When they don’t state a limitation, my assumption is it’s fairly high. Checking results at auction, the highest-number copy was in the 700s. If I had to speculate, I’d say 1,000 [were printed].

How often does the deluxe limited edition 1961 inaugural program come to auction? Every couple of seasons, but it could come up at sales of political memorabilia, which is a separate area [from books and manuscripts]. There’s probably one available every 18 months.

What makes this version deluxe? The standard version would have been what you or I could obtain if we attended the Kennedy inaugural in 1961. This was made for presentation for donors to the inaugural event, which Sinatra certainly was, or to donors to the Kennedy-Johnson campaign. This was for VIPs, essentially.

How did Kennedy and Sinatra become friends? I don’t know that it’s known when they met, but it’s generally acknowledged that they met through Peter Lawford, being the senator’s brother-in-law and an associate member of the Rat Pack. Both were stars: Sinatra in entertainment, and Kennedy a rising star in politics. Both were charismatic, and both were the sort of people other people want to be around. There was mutual admiration. Sinatra was a New Deal FDR Democrat. He was probably excited to see a younger version of that.

Seems that Sinatra went all-in on Kennedy. He retooled High Hopes as a campaign song… I think Sammy Cahn wrote new lyrics for High Hopes as a campaign song. I think Sinatra saw a winner in Kennedy. He wanted to associate with that, and he believed in him. I think he felt he was a better choice for the country and he tried to convey that through campaigning. Sinatra had several peaks in his career. He could have made a lot of money singing anywhere, and he spent some of those nights on campaign appearances.

Does the 1961 inauguration of Kennedy represent the peak of the friendship of Kennedy and Sinatra? I think it has to, because the inaugural balls, the entertainment, Sinatra was put in charge of that. He chose not to treat that as an honorary position. He worked the telephone, strong-armed people, and turned out an amazing cavalcade of stars to perform. The president thanked him for his work. It had to be the pinnacle for Sinatra [who probably thought]: “I helped put him in the White House, and he acknowledged me.”

Can you talk about how the relationship between Kennedy and Sinatra ended? Sinatra, for all his charisma and bravado and his tough-guy exterior, did not like to be disappointed. He anticipated hosting President Kennedy, as he had hosted Senator Kennedy, at his Palm Springs estate in 1962. At the last minute, after making lots of preparations for Kennedy and the Secret Service to be there, he was informed that Kennedy would not stay at his property, but would stay with Bing Crosby instead. It was particularly irksome because Crosby was a Republican.

Why would Kennedy have chosen to stay with a Republican rather than another prominent Democrat in Palm Springs? Crosby may have been seen as safer than Sinatra, who was seen as a bad boy, and who was in the tabloids in a way that Crosby was not. The association [with Sinatra] could prove embarrassing in a way that associating with Crosby would not be.

The end of the friendship of Kennedy and Sinatra is tragic, but I don’t see how it could have been avoided. Kennedy had chosen his brother, Bobby, for attorney general, and was rightly getting heat for that, even though Bobby proved capable. One of Bobby’s main tasks was targeting the mob, and if Sinatra didn’t have mob ties, many believed he had them… This is pure speculation, but maybe Kennedy tried to get a message to Sinatra to the effect of “Look, if it was solely my choice, I’d be with you, but I’ve been advised I can’t do that.” It’s speculation that the president tried to explain it that way. I think it stung Sinatra very deeply. I do think he came to realize that President Kennedy didn’t really have an open choice to stay with him.

Sinatra was clearly hurt by the snub, but he hung onto this program and he mourned Kennedy’s death, even though he went on to campaign for Republicans… People do change their politics. Sinatra did campaign for Ronald Reagan, who was also a former New Deal FDR Democrat. I think that progression–as people get older, the move from one party to another is not unusual. It could be his political choices were based on the man rather than the platform. Just as he found Jack Kennedy more convivial than Richard Nixon, he may have found Ronald Reagan more convivial than Jimmy Carter. I do think the continuing involvement–he found in it something similar to the adrenalin rush he could get from performing. If you’re Frank Sinatra, you’re a pretty important guy, but you’re not the president.

But Sinatra kept the program until he died, despite how things ended between him and Kennedy. I think he recognized it was a great moment for him and a great friendship. Some friendships don’t last, but the memory does last. The assassination of Kennedy the following year may have contributed to him keeping this. There are other Kennedy items in the sale. I think he regretted that the friendship blew up or ended, but I don’t know that he regretted the friendship.

The condition of Frank Sinatra’s copy of the program is described as “extremities just rubbed, a bit shaken”. Could you elaborate? Any book, if you put it on a shelf, the corners especially tend to get rubbed or worn in something 60 years old. “Just rubbed” means a bit of wear and tear, maybe at the top of the spine where you put a finger to pull it off the shelf. It’s fairly straightforward. “Shaken” is related to the pages, the substance of the book itself, to the binding. It was printed to be a paperback and inserted into the binding to delineate it as a limited edition. The binding is not always the best quality. Literally, if you hold it in your hand and shake it, you’d see the pages were moving. Nothing is sewn into the binding, but nothing is loose.

What does the wear say about Frank Sinatra’s copy of the program, and what does it say about how often Sinatra or his wife might have taken it down from the shelf to look at it or show it to friends? I think it [the wear] is partly that, and partly–I don’t want to be harsh about it–though it was coveted at the time, it was not of the highest quality of manufacture. [The condition reflects] the quality of heavy use and mid-quality manufacture. Let’s put it that way.

The estimate on Sinatra’s deluxe limited edition copy of the 1961 inaugural program is $3,000 to $5,000. That strikes me as a little low. How did you choose that sum? It’s higher than any copy we’re aware of that has sold. Whenever you have a celebrity–and we learned this with the Jackie O estate auction–when there’s special interest with the provenance, it’s best not to build it into the estimate. It’s best to let the marketplace determine where it goes. We say the fact that it was Sinatra’s should increase the value three- or four-fold. In the event of a sale, it may see an increase of more than that.

Are there any notations or inscriptions in Frank Sinatra’s copy of the book? There are no notations, but I also think it’s a matter of… during the inauguration, you want to be seen as listening, not taking notes. And it’s pretty chock-a-block. It’s dense. There’s not a lot of space left for notes.

What’s the world auction record for one of these deluxe 1961 inaugural programs? Our estimate is already higher than the highest price. We’re saying that of the copies that have been for sale, this is worth more than any of them. The current record, and this is not quite a one-to-one comparison because it included other material from the 1961 inauguration, such as invitations, it was copy 776, signed by Mr. Foley as chairman of the commission and given to Edward J. Sullivan. It sold at another house for $2,745. Obviously, what we want when people look at the catalog [is to think] “That’s low, I can get it.” We want to pitch the estimate so it’s appealing and will create competition among bidders.

Why will this piece stick in your memory? I’m a huge Sinatra fan. I’ve listened to Sinatra for four decades. And I love association copies–something that underlines a friendship in a tangible way, This is tangible evidence of friendship between two of the greatest figures of 20th century America. It’s really evidence of the culmination of the friendship and probably a highlight for both of them. Kennedy got into the White House, and Sinatra was acknowledged as very important in achieving that goal.

How to bid: Frank Sinatra’s copy of the deluxe limited edition 1961 inaugural program is lot 109 in Lady Blue Eyes: Property of Barbara and Frank Sinatra, a sale that takes place at Sotheby’s New York on December 6, 2018.

How to subscribe to The Hot BidClick the trio of dots at the upper right of this page. You can follow The Hot Bid on Instagram and follow the author on Twitter.

Sotheby’s is on Twitter and Instagram, and you can follow Cassandra Hatton on Twitter and Instagram.

Image is courtesy of Sotheby’s.

Would you like to hire Sheila Gibson Stoodley for writing or editing work? Click the word “Menu” at the upper right for contact details.

Sotheby’s Has High Hopes for Frank Sinatra’s Copy of the 1961 Inauguration Program for John F. Kennedy, Estimated at $3,000 to $5,000

Frank Sinatra's copy of the deluxe limited edition of the 1961 official program of the inaugural ceremonies for President John F. Kennedy and Vice President Lyndon B. Johnson.

What you see: Frank Sinatra’s copy of the deluxe limited edition of the 1961 official program of the inaugural ceremonies for President John F. Kennedy and Vice President Lyndon B. Johnson. Sotheby’s estimates it at $3,000 to $5,000.

The expert: Selby Kiffer, senior vice president and international senior books specialist for Sotheby’s New York.

What is this deluxe limited edition 1961 inaugural program worth without the Sinatra provenance? It’s probably something like $700 to $1,000, but maybe that’s a bit aggressive–$600 to $800 for a deluxe limited edition that went to no one of consequence except being a big donor.

How big was the press run? When they don’t state a limitation, my assumption is it’s fairly high. Checking results at auction, the highest-number copy was in the 700s. If I had to speculate, I’d say 1,000 [were printed].

How often does the deluxe limited edition 1961 inaugural program come to auction? Every couple of seasons, but it could come up at sales of political memorabilia, which is a separate area [from books and manuscripts]. There’s probably one available every 18 months.

What makes this version deluxe? The standard version would have been what you or I could obtain if we attended the Kennedy inaugural in 1961. This was made for presentation for donors to the inaugural event, which Sinatra certainly was, or to donors to the Kennedy-Johnson campaign. This was for VIPs, essentially.

How did Kennedy and Sinatra become friends? I don’t know that it’s known when they met, but it’s generally acknowledged that they met through Peter Lawford, being the senator’s brother-in-law and an associate member of the Rat Pack. Both were stars: Sinatra in entertainment, and Kennedy a rising star in politics. Both were charismatic, and both were the sort of people other people want to be around. There was mutual admiration. Sinatra was a New Deal FDR Democrat. He was probably excited to see a younger version of that.

Seems that Sinatra went all-in on Kennedy. He retooled High Hopes as a campaign song… I think Sammy Cahn wrote new lyrics for High Hopes as a campaign song. I think Sinatra saw a winner in Kennedy. He wanted to associate with that, and he believed in him. I think he felt he was a better choice for the country and he tried to convey that through campaigning. Sinatra had several peaks in his career. He could have made a lot of money singing anywhere, and he spent some of those nights on campaign appearances.

Does the 1961 inauguration of Kennedy represent the peak of the Kennedy-Sinatra friendship? I think it has to, because the inaugural balls, the entertainment, Sinatra was put in charge of that. He chose not to treat that as an honorary position. He worked the telephone, strong-armed people, and turned out an amazing cavalcade of stars to perform. The president thanked him for his work. It had to be the pinnacle for Sinatra [who probably thought]: “I helped put him in the White House, and he acknowledged me.”

Can you talk about how their relationship ended? Sinatra, for all his charisma and bravado and his tough-guy exterior, did not like to be disappointed. He anticipated hosting President Kennedy, as he had hosted Senator Kennedy, at his Palm Springs estate in 1962. At the last minute, after making lots of preparations for Kennedy and the Secret Service to be there, he was informed that Kennedy would not stay at his property, but would stay with Bing Crosby instead. It was particularly irksome because Crosby was a Republican.

Why would Kennedy have chosen to stay with a Republican rather than another prominent Democrat in Palm Springs? Crosby may have been seen as safer than Sinatra, who was seen as a bad boy, and who was in the tabloids in a way that Crosby was not. The association [with Sinatra] could prove embarrassing in a way that associating with Crosby would not be.

The end of the friendship is tragic, but I don’t see how it could have been avoided. Kennedy had chosen his brother, Bobby, for attorney general, and was rightly getting heat for that, even though Bobby proved capable. One of Bobby’s main tasks was targeting the mob, and if Sinatra didn’t have mob ties, many believed he had them… This is pure speculation, but maybe Kennedy tried to get a message to Sinatra to the effect of “Look, if it was solely my choice, I’d be with you, but I’ve been advised I can’t do that.” It’s speculation that the president tried to explain it that way. I think it stung Sinatra very deeply. I do think he came to realize that President Kennedy didn’t really have an open choice to stay with him.

Sinatra was clearly hurt by the snub, but he hung onto this program and he mourned Kennedy’s death, even though he went on to campaign for Republicans… People do change their politics. Sinatra did campaign for Ronald Reagan, who was also a former New Deal FDR Democrat. I think that progression–as people get older, the move from one party to another is not unusual. It could be his political choices were based on the man rather than the platform. Just as he found Jack Kennedy more convivial than Richard Nixon, he may have found Ronald Reagan more convivial than Jimmy Carter. I do think the continuing involvement–he found in it something similar to the adrenalin rush he could get from performing. If you’re Frank Sinatra, you’re a pretty important guy, but you’re not the president.

But Sinatra kept the program until he died, despite how things ended between him and Kennedy. I think he recognized it was a great moment for him and a great friendship. Some friendships don’t last, but the memory does last. The assassination of Kennedy the following year may have contributed to him keeping this. There are other Kennedy items in the sale. I think he regretted that the friendship blew up or ended, but I don’t know that he regretted the friendship.

The condition of Frank Sinatra’s copy is described as “extremities just rubbed, a bit shaken”. Could you elaborate? Any book, if you put it on a shelf, the corners especially tend to get rubbed or worn in something 60 years old. “Just rubbed” means a bit of wear and tear, maybe at the top of the spine where you put a finger to pull it off the shelf. It’s fairly straightforward. “Shaken” is related to the pages, the substance of the book itself, to the binding. It was printed to be a paperback and inserted into the binding to delineate it as a limited edition. The binding is not always the best quality. Literally, if you hold it in your hand and shake it, you’d see the pages were moving. Nothing is sewn into the binding, but nothing is loose.

What does the wear say about Frank Sinatra’s copy of the book, and what does it say about how often Sinatra or his wife might have taken it down from the shelf to look at it or show it to friends? I think it [the wear] is partly that, and partly–I don’t want to be harsh about it–though it was coveted at the time, it was not of the highest quality of manufacture. [The condition reflects] the quality of heavy use and mid-quality manufacture. Let’s put it that way.

The estimate on Sinatra’s deluxe limited edition copy of the 1961 inaugural program is $3,000 to $5,000. That strikes me as a little low. How did you choose that sum? It’s higher than any copy we’re aware of that has sold. Whenever you have a celebrity–and we learned this with the Jackie O estate auction–when there’s special interest with the provenance, it’s best not to build it into the estimate. It’s best to let the marketplace determine where it goes. We say the fact that it was Sinatra’s should increase the value three- or four-fold. In the event of a sale, it may see an increase of more than that.

Are there any notations or inscriptions in Frank Sinatra’s copy the book? There are no notations, but I also think it’s a matter of… during the inauguration, you want to be seen as listening, not taking notes. And it’s pretty chock-a-block. It’s dense. There’s not a lot of space left for notes.

What’s the world auction record for one of these deluxe 1961 inaugural programs? Our estimate is already higher than the highest price. We’re saying that of the copies that have been for sale, this is worth more than any of them. The current record, and this is not quite a one-to-one comparison because it included other material from the 1961 inauguration, such as invitations, it was copy 776, signed by Mr. Foley as chairman of the commission and given to Edward J. Sullivan. It sold at another house for $2,745. Obviously, what we want when people look at the catalog [is to think] “That’s low, I can get it.” We want to pitch the estimate so it’s appealing and will create competition among bidders.

Why will this piece stick in your memory? I’m a huge Sinatra fan. I’ve listened to Sinatra for four decades. And I love association copies–something that underlines a friendship in a tangible way, This is tangible evidence of friendship between two of the greatest figures of 20th century America. It’s really evidence of the culmination of the friendship and probably a highlight for both of them. Kennedy got into the White House, and Sinatra was acknowledged as very important in achieving that goal.

How to bid: Frank Sinatra’s copy of the deluxe limited edition 1961 inaugural program is lot 109 in Lady Blue Eyes: Property of Barbara and Frank Sinatra, a sale that takes place at Sotheby’s New York on December 6, 2018.

How to subscribe to The Hot BidClick the trio of dots at the upper right of this page. You can follow The Hot Bid on Instagram and follow the author on Twitter.

Sotheby’s is on Twitter and Instagram, and you can follow Cassandra Hatton on Twitter and Instagram.

Image is courtesy of Sotheby’s.

Would you like to hire Sheila Gibson Stoodley for writing or editing work? Click the word “Menu” at the upper right for contact details.

SOLD! A William Henry Harrison Ceramic Campaign Pitcher from 1840 Sold For… (Scroll Down to See)

A large (almost a foot tall) ceramic pitcher touting Whig candidate William Henry Harrison's 1840 campaign for president.

Update: The William Henry Harrison 1840 campaign pitcher sold for $18,750.

What you see: A large (almost a foot tall) ceramic pitcher touting Whig candidate William Henry Harrison’s 1840 campaign for president. Heritage Auctions estimates it at $30,000.

The expert: Don Ackerman, consignment director for Heritage Auctions’s historical Americana & political department.

Who would have bought this pitcher in 1840? Or did William Henry Harrison make them to give away to his most ardent supporters? A lot of the campaign items from that period were utilitarian objects. In contrast to campaign buttons or ribbons that you wore to a rally, you’d display the pitcher in your home, and you could use it. I don’t think he gave it away. It was not cheap to produce. If you were a diehard supporter, you’d buy it and put it in your house. After the election, you didn’t throw it out. It had long-term value.

Was the ceramic pitcher a common form for campaign memorabilia in 1840? It was a fairly common form. Pitchers made of soft paste porcelain and china have a history. Before America became independent, there was a 1766 teapot that said ‘No Stamp Act’. That’s certainly one of the earliest political items. After the Revolutionary War, you’d often see Liverpool jugs, which were imported from England. America had very little in the way of pottery. Though England lost the war, they produced patriotic pitchers and tankards for the U.S. because there was demand for them.

William Henry Harrison died barely a month after taking office, so there’s little to collect from his time as president. I imagine there’s much more material from his days as a candidate? You get a lot of stuff for William Henry Harrison and practically nothing for his opponent, Martin Van Buren. Harrison had a highly organized campaign and it caught the public’s attention more than any other campaign before that time. 1840 stands out for a flourishing of political items and material, and probably 95 percent of it was for William Henry Harrison.

Why was that? Was Harrison a marketing and branding wizard, or was the demand for Harrison stuff that strong? I think there was demand for it. His was the first campaign with an icon–the log cabin and the hard cider barrel. Previously, you didn’t have symbols representing the candidates. Harrison came up with the log cabin and the hard cider barrel, and it caught fire.

We think that four or five of these ceramic pitchers survive, but do we have any idea how many might have been made? They probably made very few of them. It was made by an American pottery company.

So you get cross-competition for this pitcher from collectors of American ceramics? Yes. Pottery people really like it. This is the pinnacle of political pottery from 1840. There’s probably fewer than ten examples in existence. When these come up for auction, they consistently sell for a lot of money.

How do the decorations on the pitcher reflect William Henry Harrison’s campaign imagery? It’s got the log cabin and the hard cider barrel.

Where is the hard cider barrel? Below the window of the log cabin. It was a popular image because Harrison was meant to be a man of the people. Contrast that with Martin Van Buren, who was considered a New York elitist who’d sit in the White House and sip Champagne from a silver goblet. The hard cider barrel was originally a criticism of Harrison–that he was a country bumpkin, and if he was given a pension he’d be content to sit in a log cabin and sip hard cider. Of course by that time he was living in a mansion, but he presented himself as born in and lived in a log cabin, and an Ohio farmer, like Cincinnatus, going back to his farm after the war.

Does the pitcher have every element that a William Henry Harrison collector would want? No, it doesn’t, but it’s got the essentials. It doesn’t say “The Hero of Tippecanoe,” and it doesn’t show a canoe. [Yes, Harrison was the ‘Tippecanoe’ in ‘Tippecanoe and Tyler Too,’ and that slogan is not on the pitcher, either.] He was sometimes called the “Farmer of North Bend.” Here he’s the “Ohio Farmer.” It lacks the symbol of the Whig party, which was the raccoon–

Wait, wait, wait. The symbol of the Whig party was the raccoon? What is it with American political parties choosing non-heroic animals to represent them? The raccoon goes with the rustic Daniel Boone, Davy Crockett type of thing. These guys were trappers. They trapped animals, sold the hides, and made stew out of the meat.

This pitcher was a functional object. Does it show any signs of use? Not really. It’s in pretty good shape. It’s got some discoloration on the inside, and it’s got a crack and a chip [which you can see on the spout of the pitcher]. Obviously, it was used. The crack and the chip can be restored, and the stains can be bleached out. Even with the defects, it’s probably the nicest one [of the surviving pitchers] I’ve seen. A lot of them have cracks and tend to be highly discolored.

Another example of the William Henry Harrison pitcher went to auction at Heritage in December 2016, selling for $37,500. But do you remember if and when one of these pitchers went to auction before then? This one and the one sold in 2016 are the only two I remember in political memorabilia auctions. I know of five examples, and I’ve been collecting for 54 years. They’re highly prized. I don’t think I’ve seen one sold for under $20,000, even going way, way back. This is the Cadillac. It’s got four portraits. It was made in Jersey City, New Jersey. It’s big. It’s got great graphics. It’s rare. If you can afford it, it’s a great item to have.

How to bid: The William Henry Harrison ceramic pitcher is lot #43039 in the David and Janice Frent Collection of Presidential & Political Americana, Part IV sale, which takes place on November 10 and 11 at Heritage Auctions.

How to subscribe to The Hot BidClick the trio of dots at the upper right of this page. You can also follow The Hot Bid on Instagram and follow the author on Twitter.

Heritage Auctions is on Twitter and Instagram.

Earlier in 2018, Don Ackerman spoke to The Hot Bid about a William McKinley campaign poster, also from the David and Janice Frent Collection, which sold for $11,875.

Did you just realize that “William Henry Harrison” scans just like “Alexander Hamilton”? No need to write a Hamilton parody. Actor Jason Kravitz beat you to it.

Image is courtesy of Heritage Auctions.

Would you like to hire Sheila Gibson Stoodley for writing or editing work? Click the word “Menu” at the upper right for contact details.

A William Henry Harrison Campaign Pitcher Could Sell for $30,000

A large (almost a foot tall) ceramic pitcher touting Whig candidate William Henry Harrison's 1840 campaign for president.

What you see: A large (almost a foot tall) ceramic pitcher touting Whig candidate William Henry Harrison’s 1840 campaign for president. Heritage Auctions estimates it at $30,000.

The expert: Don Ackerman, consignment director for Heritage Auctions’s historical Americana & political department.

Who would have bought this pitcher in 1840? Or did Harrison make them to give away to his most ardent supporters? A lot of the campaign items from that period were utilitarian objects. In contrast to campaign buttons or ribbons that you wore to a rally, you’d display the pitcher in your home, and you could use it. I don’t think he gave it away. It was not cheap to produce. If you were a diehard supporter, you’d buy it and put it in your house. After the election, you didn’t throw it out. It had long-term value.

Was the ceramic pitcher a common form for campaign memorabilia in 1840? It was a fairly common form. Pitchers made of soft paste porcelain and china have a history. Before America became independent, there was a 1766 teapot that said ‘No Stamp Act’. That’s certainly one of the earliest political items. After the Revolutionary War, you’d often see Liverpool jugs, which were imported from England. America had very little in the way of pottery. Though England lost the war, they produced patriotic pitchers and tankards for the U.S. because there was demand for them.

William Henry Harrison died barely a month after taking office, so there’s little to collect from his time as president. I imagine there’s much more material from his days as a candidate? You get a lot of stuff for William Henry Harrison and practically nothing for his opponent, Martin Van Buren. Harrison had a highly organized campaign and it caught the public’s attention more than any other campaign before that time. 1840 stands out for a flourishing of political items and material, and probably 95 percent of it was for William Henry Harrison.

Why was that? Was Harrison a marketing and branding wizard, or was the demand for Harrison stuff that strong? I think there was demand for it. His was the first campaign with an icon–the log cabin and the hard cider barrel. Previously, you didn’t have symbols representing the candidates. Harrison came up with the log cabin and the hard cider barrel, and it caught fire.

We think that four or five of these ceramic pitchers survive, but do we have any idea how many might have been made? They probably made very few of them. It was made by an American pottery company.

So you get cross-competition for this pitcher from collectors of American ceramics? Yes. Pottery people really like it. This is the pinnacle of political pottery from 1840. There’s probably fewer than ten examples in existence. When these come up for auction, they consistently sell for a lot of money.

How do the decorations on the pitcher reflect William Henry Harrison’s campaign imagery? It’s got the log cabin and the hard cider barrel.

Where is the hard cider barrel? Below the window of the log cabin. It was a popular image because Harrison was meant to be a man of the people. Contrast that with Martin Van Buren, who was considered a New York elitist who’d sit in the White House and sip Champagne from a silver goblet. The hard cider barrel was originally a criticism of Harrison–that he was a country bumpkin, and if he was given a pension he’d be content to sit in a log cabin and sip hard cider. Of course by that time he was living in a mansion, but he presented himself as born in and lived in a log cabin, and an Ohio farmer, like Cincinnatus, going back to his farm after the war.

Does the pitcher have every element that a William Henry Harrison collector would want? No, it doesn’t, but it’s got the essentials. It doesn’t say “The Hero of Tippecanoe,” and it doesn’t show a canoe. [Yes, Harrison was the ‘Tippecanoe’ in ‘Tippecanoe and Tyler Too,’ and that slogan is not on the pitcher, either.] He was sometimes called the “Farmer of North Bend.” Here he’s the “Ohio Farmer.” It lacks the symbol of the Whig party, which was the raccoon–

Wait, wait, wait. The symbol of the Whig party was the raccoon? What is it with American political parties choosing non-heroic animals to represent them? The raccoon goes with the rustic Daniel Boone, Davy Crockett type of thing. These guys were trappers. They trapped animals, sold the hides, and made stew out of the meat.

This pitcher was a functional object. Does it show any signs of use? Not really. It’s in pretty good shape. It’s got some discoloration on the inside, and it’s got a crack and a chip [which you can see on the spout of the pitcher]. Obviously, it was used. The crack and the chip can be restored, and the stains can be bleached out. Even with the defects, it’s probably the nicest one [of the surviving pitchers] I’ve seen. A lot of them have cracks and tend to be highly discolored.

Another example of the William Henry Harrison pitcher went to auction at Heritage in December 2016, selling for $37,500. But do you remember if and when one of these pitchers went to auction before then? This one and the one sold in 2016 are the only two I remember in political memorabilia auctions. I know of five examples, and I’ve been collecting for 54 years. They’re highly prized. I don’t think I’ve seen one sold for under $20,000, even going way, way back. This is the Cadillac. It’s got four portraits. It was made in Jersey City, New Jersey. It’s big. It’s got great graphics. It’s rare. If you can afford it, it’s a great item to have.

How to bid: The William Henry Harrison ceramic pitcher is lot #43039 in the David and Janice Frent Collection of Presidential & Political Americana, Part IV sale, which takes place on November 10 and 11 at Heritage Auctions.

How to subscribe to The Hot BidClick the trio of dots at the upper right of this page. You can also follow The Hot Bid on Instagram and follow the author on Twitter.

Heritage Auctions is on Twitter and Instagram.

Earlier in 2018, Don Ackerman spoke to The Hot Bid about a William McKinley campaign poster, also from the David and Janice Frent Collection, which sold for $11,875.

Did you just realize that “William Henry Harrison” scans just like “Alexander Hamilton”? No need to write a Hamilton parody. Actor Jason Kravitz beat you to it.

Image is courtesy of Heritage Auctions.

Would you like to hire Sheila Gibson Stoodley for writing or editing work? Click the word “Menu” at the upper right for contact details.

SOLD! A William McKinley Campaign Poster from 1900 Fetched $11,875 at Heritage Auctions

A circa 1900 28-inch-by-42-inch near-mint condition campaign poster for President William McKinley, who was running for a second term.

Update: The William McKinley campaign poster from circa 1900 sold for $11,875.

What you see: A circa 1900 28-inch-by-42-inch near-mint condition campaign poster for President William McKinley, who was running for a second term. Heritage Auctions believes that the poster could sell for $10,000 to $15,000.

Who was William McKinley? He was the 25th president of the United States. He was a Republican and a Civil War veteran who defended the gold standard and led the country through the Spanish-American War, in which America gained Puerto Rico, Guam, and the Philippines (this last eventually became independent). He also annexed Hawaii. His vice president, Theodore Roosevelt, went on to become president in his own right. An assassin shot McKinley in September 1901 and he succumbed to his wounds about a week later. He was 58.

Do we know how this William McKinley campaign poster came to be? And did the campaign know they had a winner on their hands with this image? No, and probably not. “The two times he ran for president, McKinley stayed home in Canton, Ohio, and delegations came to visit him,” says Don Ackerman, consignment director for historical Americana and political material at Heritage Auctions. “Millionaire Mark Hanna financed the entire campaign. Most campaign materials were purchased and used by local Republican clubs and organizations. They didn’t have to be authorized by the national Republican clubs. Posters like this may have been custom-ordered, or may have been produced for Republican clubs.”

What details in this circa 1900 poster might be lost on 21st century viewers? “The word ‘Civilization’ is an unusual usage. It ties in with the expansionism of 1898 and the war with Spain. Republicans supported imperialism and justified that by saying they were bringing civilization to backward peoples,” he says, laughing. “Part of that is you see factories belching smoke. That was considered a higher level of civilization over people who fished and farmed. The large gold coin says ‘Sound Money’ on it, and refers to the gold standard. It was a big issue in 1896 and 1900. McKinley’s opponent, William Jennings Bryan, advocated greater use of silver. Republicans said that would devalue the currency and cause inflation, and if we stuck to the gold standard, it would maintain its value.”

What other details stand out? “The glowing sunrise in the background. Sort of like ‘Morning in America.’ Everything is bright,” he says. “And you have shipping on the left hand side and factories on the right–business is booming, we’re selling overseas, factories are at capacity. McKinley is shown with the flag, in an appeal to patriotism and showing America as a dominant world power. He’s supported by a group of men from all aspects of society. The man in the blue suit is a sailor. One on the left is a soldier, there to appeal to people who served in the armed forces and the Civil War–McKinley served in the Civil War. The man with the silk top hat is a banker or an industrialist. The guy in the center might be a waiter–they usually don’t wear hats. The man in the pale green shirt is a workman. McKinley is appealing to all segments of the voting population.”

I can’t help but notice that everyone shown in the William McKinley campaign poster is a white man. Is that deliberate? “Except for Wyoming and Colorado, women couldn’t vote [in 1900],” he says. “This [poster] is not necessarily a snub of minority voters. There were ‘Colored Republican Clubs’. The Democrats were associated with the south, and with slaveholders. Blacks were loyal Republican voters from the time of Ulysses S. Grant to FDR or later. I think the Republican Party figured that black voters who were permitted to vote were going to vote for them anyway.”

Where were these posters displayed in 1900? “They were in local Republican headquarters or in store windows,” he said. “The owners weren’t afraid to offend their customers. If they liked the Republican candidate, they’d put the Republican poster in the window.”

Maybe ten of these posters exist. How might this one have managed to survive? “If somebody liked it and thought it was nice, they would fold it and put it away,” he says, noting that this example has folding creases in it. “That’s how they got saved. If it’s properly stored and the paper is good, the colors will still be bright. This has a minor chip, but nothing that affects the image.”

The colors on this William McKinley campaign poster really pop, particularly the red and blue of the flag, and the yellow of the coin. How close are they to the colors that the poster would have had when it was fresh off the stone lithographic press? “Pretty close. They’re not faded or anything,” he says. “The ink they used doesn’t fade naturally. As long as it’s not exposed to sunlight, the colors are going to be as vibrant as in 1900.”

How often does this William McKinley campaign poster appear at auction? “We’ve sold three of them in the past, for prices ranging from $10,000 to $17,000,” he says. “The one that sold for $17,925 probably is the record for this poster, but I can’t say definitively.”

Why will this William McKinley campaign poster stick in your memory? “It’s a masterpiece of graphic political Americana, and probably the best McKinley poster, for sure,” Ackerman says. “It’s head and shoulders above most of the stuff we see from the period. This really grabs you. Political posters of this quality were only issued between 1900 and 1904, and of the different designs known, this is the most appealing. It’s got all the great elements you want to see on a poster. It tells a story, it refers to policies that were prominent then, and it reflects the exuberance that people felt for the political process. It was a new century, a new age, and people really felt good about themselves.”

How to bid: The circa 1900 William McKinley campaign poster is lot #43382 in The David and Janice Frent Collection of Political & Presidential Americana, Part 2, taking place at Heritage Auctions on February 24, 2018.

How to subscribe to The Hot BidClick the trio of dots at the upper right of this page. You can also follow The Hot Bid on Instagram and follow the author on Twitter.

Heritage Auctions is on Twitter and Instagram.

Image is courtesy of Heritage Auctions.

Would you like to hire Sheila Gibson Stoodley for writing or editing work? Click the word “Menu” at the upper right for contact details.