During the summer, when auction schedules slow down, The Hot Bid showcases world auction records.
What you see: A “Bon Bon” gold limited edition chair by Dutch designer Marcel Wanders, dating to 2010. It sold at Phillips New York in June 2019 for $81,250, a record for the designer.
The expert: Kimberly Sørensen, specialist at Phillips.
Is this the first example of this limited edition Bon Bon gold chair to go to auction? It’s not. We sold one in 2016 in our Time for Design benefit auction in London. Another was offered through Christie’s in 2012, but it didn’t sell.
Do we know how many entries there are in the Personal Editions series? Is it still ongoing? My understanding is the Personal Editions series represents an exclusive collection of his editioned work, beginning in 1996. It’s a broader category for certain types of work he’s doing. The Bon Bon gold chair falls under that series, but the series is ongoing.
How big is the Bon Bon gold limited edition? There are 20 examples plus two artist’s proofs.
Are there other versions of the chair? There’s a version in white that I think is a separate edition.
How is the Marcel Wanders Bon Bon chair made? It is crocheted by hand. Parts are stitched and impregnated with epoxy and secured. It’s a continuation of his knotted chair, which is made with similar technology.
Did he and his team use actual gold to make the Bon Bon gold chair? Whether it’s 14-karat or 18-karat, I’m not positive, but my understanding is it’s real gold in some percentage.
Did Wanders create the technique used to make this chair? He developed it for his knotted chair in 1996. Back then, he collaborated with Delft Technical University. The technique is closely associated with him.
When did the secondary market for works by Wanders begin? A total of 47 works by Wanders were offered at Artcurial in 2006. Later, in December 2006, we offered a knotted chair. The market’s been there for some time. We’ve sold 13 works by him.
What is the Marcel Wanders Bon Bon chair like in person? It’s striking. It has a sense of lightness because of the crocheting technique, and it casts a really interesting shadow because of the openwork. And it’s gold and glistening. It’s really a very beautiful object.
Is it fragile? It reminds me of a soap bubble. It really feels like that–light and ephemeral. Wanders worked to develop something that felt light, but is sturdy and works as a chair. It’s strong, and it’s meant to be used.
Have you sat in it? I have not. Much of the contemporary design we offer is used more for display, and comes to us in pristine condition. I tend not to try them out, as opposed to more traditional antiques.
Are there aspects of the Marcel Wanders Bon Bon chair that the camera does not pick up? Though it does look very beautiful and light in the photograph, that sense of lightness and glistening gold is even more strong in person. Jaime [Israni, a Phillips public relations person] were discussing yesterday that during the [pre-sale] exhibit, everyone was drawn to it.
What was your role during the auction? I was phone-bidding [working with a phone bidder] during the auction, but not for this particular lot.
What do you recall of the sale of the Marcel Wanders Bon Bon chair? Two phone bidders fought for it. It took a bit longer than most lots typically do.
What I find weird about this is the Bon Bon gold chair is still available in Marc Wanders’s online boutique for 40,000 Euros or so. That’s an interesting observation. I can’t speak to why this happened for this particular example. It is on the [Wanders] site, and it does affect desirability when the numbers [in a limited edition] dwindle. It does appear to be a case of auction magic.
What was the previous auction record for Wanders? It was a white limited edition crochet chair sold at Phillips London in 2010 for £43,250 [$66,000].
How long do you think this record will stand? What else is out there that could beat it? It depends how many versions of the edition are still available. As it becomes less available, it becomes more desirable. This was a really high, unexpected outcome. I do expect it to stand for some time.
Are there other Wanders pieces that could challenge it? Maybe his knotted chair? The knotted chair is pretty ubiquitous. I don’t think it will rival it, but I don’t have the answer at my fingertips.
Why will this piece stick in your memory? A couple of reasons. One, the phenomenal result we achieved for it. Two, it did look so beautiful and glistening in the exhibition. And another thing that’s interesting about the chair is it’s so conceptual, in that it was made with a crocheting technique, which has homespun connotations. And the actual form is an interpretation of Eero Aarnio’s Pastil chair, a 1960s glossy, fiberglass finished chair. He’s being witty by reinterpreting a candy-colored Pop form in an ephemeral, light way.
Image is courtesy of Phillips.
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