SOLD! A Beatles Photo Signed on the Set of A Hard Day’s Night Fetches Almost $9,000 at Bonhams

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Update: The signed Beatles photo sold for £6,875, or $8,774.

 

What you see: An 8-by-10-inch black-and-white publicity photograph of the Beatles, shot on March 24, 1964 by Dezo Hoffman and signed in blue pen by all four band members. Bonhams estimates it at £4,000 to £6,000 ($5,200 to $6,500).

 

How rare is it to see a print of this photo, signed by all the Beatles? “It’s not particularly rare, but to see it signed by all four on the front is unusual,” says Katherine Schofield, head of entertainment memorabilia at Bonhams. “Sometimes they signed it on the back, but it’s more desirable to have the signatures on the front.”

 

How rare is it to have anything that was signed by all of the Beatles? “Not that rare. They signed a hell of a lot–autograph books, fan club cards, albums, pieces of paper–Beatles signatures are not scarce,” she says. “A good set is still pretty common, and the market is discerning about what it wants. If it’s in good condition and more unusual, it bears stronger prices. Collectors tend to aim for signed albums, signed photos, and autograph pages. It’s tiered like that, but there’s a lot of things in between.”

 

What do you mean by “more unusual”? Schofield cited a piece of Buckingham Palace stationery, signed by the four in October 1965. It’s lot 165 in the same auction, estimated at £8,000 to £10,000 ($10,000 to $13,000). “I have seen another, but only one other,” Schofield says. She also mentioned a lot from the December 2016 Entertainment Memorabilia sale that was a plain British standard sheet of paper from 1963 on which each Beatle had drawn a caricature with their signatures. It commanded £21,250 ($27,425).

 

Are Beatles signatures from early in the band’s career worth more than signatures written later in the band’s career? “Very, very early signatures and later signature are sought after,” she says. “At the start of their career, not many signatures were asked for, and not many were kept. As the Beatles became less accessible in 1965 and definitely in 1966 and 1967, signatures are very sought after.”

 

This particular copy of the photo has tape marks, clipped corners, and other blemishes. Does that affect its value? “It’s a shame. It would be nicer if it was a cleaner image,” Schofield says. “But the damage does not affect the body of the photo. It’s visible, and the signatures are clear.”

 

This signed photo is fresh to market, going straight from the woman who received it as a preteen to Bonhams. How does that affect the value? “Provenance is important,” she says, explaining that the consigner’s father had been a vendor at the Scala Theatre when the Beatles filmed scenes for A Hard Day’s Night there. “She got onto the set and was given mementos, and this was one of the items she was given. She treasured it, and thought long and hard about selling it. We expect it to do well. The fact that it’s not dedicated [it’s not inscribed to a specific, named person] makes it more desirable. Normally the Beatles would put, ‘To (Someone),’ and most people wanted them to do that. It’s nice that the photo has not been dedicated.”

 

How to bid: The signed Beatles photo is lot 162 in Bonhams’s Entertainment Memorabilia sale on June 28, 2017 in London.

 

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Text is copyright Sheila Gibson Stoodley. Image is courtesy of Bonhams.

 

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An Extra-Rare Original Woodstock Concert Poster Could Command $2,500 at Heritage Auctions

Woodstock Festival Poster Signed by Artist Arnold Skolnik (1969)_edited

What you see: An original 1969 Woodstock concert poster that shows just the artwork–no small text–and is signed by Arnold Skolnik, the artist who designed it. It’s in Very Good Plus condition and is estimated at $2,500.

How rare are original Woodstock concert posters in general, and how rare is it to find one that lacks the band names, the concert dates, and other small text? “Woodstock concert posters are rare, and this one is unusual,” says Giles Moon, consignment director of entertainment and music memorabilia at Heritage Auctions, adding, “I think that purist concert poster collectors want the version used to advertise the concert.”

The lot just before this one in the sale is a signed original Woodstock poster that has the small text. Its starting bid is $1,000, but the starting bid for this poster is $1,250. Why? “That’s intriguing. I’m not certain why that is,” he says, noting that this is the first artwork-only original Woodstock poster that he has handled. “This one might be more unusual, and that might be why there’s a higher starting bid on it.”

The poster is signed by Arnold Skolnik, the artist who designed it. Does that add to its value? “It adds several hundred dollars to the poster,” he says. “It doesn’t double the value, but it adds 20 to 30 percent. It’s difficult to say how many original Woodstock concert posters he signed. The majority of the originals have not been signed. In 2009, we sold one for $1,000, and I would expect the price to have jumped a bit since then.”

Were Woodstock posters collected at the time of the concert, or only later on? “It’s nearly always the case that they’re collected later on. That’s why the posters are so rare,” Moon says. “No one imagined they’d become collectible or valuable. They were just discarded. People who saved them were keeping them for aesthetic reasons.”

What makes this poster so successful? “It’s a simple, strong image that gets across the concept of what the festival was,” he says. “And it was a departure from the psychedelia as well. Lots of posters were trippy, intricate and complicated. This is simplistic.”

How to bid: The artwork-only original Woodstock concert poster is lot #89705 in Heritage Auctions’s Entertainment & Music Memorabilia Signature Auction on June 17 and 18 in Beverly Hills, Calif.

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Text is copyright Sheila Gibson Stoodley. Image is courtesy of Heritage Auctions.

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SOLD At Leslie Hindman Auctioneers: The Ringling Bros Joan of Arc Poster Collects $469

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Update: The Ringling Brothers Joan of Arc poster sold for $439.

What you see: A 1913 poster by Ringling Brothers, featuring Joan of Arc and promising a ‘Magnificent 1200 Character Spectacle.’ It’s from the Richard Bennett Collection of Circus Memorabilia. Leslie Hindman Auctioneers estimates the poster at $400 to $600.

Why is Joan of Arc on this Ringling Brothers poster? Where are the tigers, elephants, and clowns? “Circuses were not seen as the most classical or tasteful form of entertainment. To drum up business and legitimize the circus, the performers would parade through the streets dressed as classical Romans or knights with Joan of Arc,” says Nicholas Coombs, associate specialist at Leslie Hindman Auctioneers. “This spectacle was the first encounter the town would have with the circus, and it was a free parade down the main street.”

Why build a parade around Joan of Arc? Why would that be a draw in 1913? “Joan of Arc was a character who would have been known to a large slice of the population,” he says. “Ringling Brothers tried to appeal to as many people as possible. Joan of Arc certainly had that sort of cache among everyday, average Americans.”

What would the parade-goers have seen? “It would have been a fully-costumed production,” he says. “They probably tried to have as large a French army as possible, dressed up as knights. They tried to depict a mighty spectacle to get people to go to the circus later. They would have showed some animals as well.”

What other forms of entertainment was Ringling Brothers competing against in 1913? “It really didn’t have much competition,” Coombs says. “The circus was its own form of entertainment. A production this large, with thousands of people coming to your town–it was an event. Everyone came out to see it for miles around.”

The poster trumpets a 1200-person spectacle, but it only shows Joan of Arc and her horse. Is that unusual? “From the ones we’ve encountered, they try to sell the cast of a thousand characters aspect,” he says. “This stands out for its visual strength and its simplicity.”

How to bid: The Ringling Brothers Joan of Arc poster is lot 427 in the Documenting History: Science, Exploration sale at Leslie Hindman Auctioneers on May 4, 2017.

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Text is copyright Sheila Gibson Stoodley. Image is courtesy of Leslie Hindman Auctioneers.

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SOLD! Gerald Scarfe Drawing of the Teacher from Pink Floyd’s The Wall Sells for More Than $28,000

Lot 40, Gerald Scarfe, ' The Teacher'

UPDATE: The Gerald Scarfe drawing of the Teacher sold for £22,500, or just over $28,000, more than double its high estimate.

What you see: The Teacher, a signed, undated pen, ink, and watercolor drawing by Gerald Scarfe. Sotheby’s estimates it at £7,000 to £9,000, or about $8,700 to $11,200.

Who is Gerald Scarfe? He’s a British illustrator and political cartoonist, but he’s probably best known for his work with the band Pink Floyd on The Wall, a rock opera that became an album, a film, and a stage show. “You can’t think of Pink Floyd without thinking of Gerald Scarfe, and you can’t think of Gerald Scarfe without thinking of Pink Floyd,” says Philip Errington, director of Sotheby’s books and manuscripts department.

Who is the Teacher? The Teacher is a villain from The Wall who bullies and terrorizes Pink, the lead character, during his school days. He embodies the figure who the children’s choir scold in Another Brick in the Wall, Part 2, when they sing, “Hey, teacher! Leave them kids alone!” In Scarfe’s hands, the Teacher becomes a stalking, slouching, pitiless fish-faced creature who wields a cane. “Every movement is crackling with energy,” Errington says of the Scarfe drawing. “It’s immediate and raw.”

When did Scarfe make this drawing, and why? Errington says Scarfe drew it sometime within the last four years for a Roger Waters tour. It’s the original artwork for a keepsake print that was given to Waters’s team. Errington notes that the combination of elements–the famous wall backdrop, the words “Pink Floyd The Wall” above the Teacher’s head, and Scarfe’s signature at the lower right–makes this piece extra-desirable: “The combination of all three is quite spectacular. Other Teacher images in the sale do not have the lettering and the wall.”

What else makes this drawing special? It comes directly from Scarfe to Sotheby’s, and it’s generously sized, at 31.2 inches by 23.3 inches. “There’s a delight to handling the originals,” Errington says. “Reproductions in books never do them justice.  And they’re big! That makes them arresting in their own right.”

How to bid: The Teacher is lot 40 in the Scarfe at Sotheby’s auction, scheduled for April 5, 2017 in London.

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Text is copyright Sheila Gibson Stoodley. Image is courtesy of Sotheby’s.

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LAST CALL: Sinfully Pretty, Possibly Unique 1934 Nudist Film Poster at Heritage: Children of the Sun

Children of the Sun

What you see: A movie poster for the 1934 nudist film Children of the Sun, which Heritage Auctions estimates at $400 to $800.

Who made this movie? Samuel Cummins, an exploitation film impresario who launched his career with the silent 1919 opus The Solitary Sin and went on to release Wild Oats, Trial Marriage, and Unguarded Girls, among others. He died in New York City sometime in the 1960s.

Would this poster have been displayed in public? In 1934? Where? At an independent or second-run movie house. The blank area at the top of the poster would have been printed with the venue name and maybe the screening dates. “Most theaters wouldn’t touch films such as these,” says Grey Smith, director of vintage movie poster auctions at Heritage. “A lot of these low-budget indie films had very eye-catching posters. I love the tagline–‘Nature in the raw.'”

Why risk printing a poster at all? Why not rely on word-of-mouth to lure people to the theater? “Your poster was the biggest selling tool you had,” says Smith. “You want to make it semi-tasteful, but just explicit enough to pique one’s interest.”

How racy was it for its time? “It is surprisingly up front. I can imagine a family passing this poster and the mother being outraged that the theater displayed something like this,” Smith says, adding, “In some areas, the theater owner might have taken some poster paint and painted a dress on her.”

What makes this poster special? Smith has not handled another Children of the Sun poster, save for a different version that was consigned along with this one. It has survived in relatively excellent shape, with its navy blues and butter yellows intact and its paper unfolded. “It’s a good poster for a taboo subject from an earlier period,” he says.

How to bid: The Children of the Sun poster is lot 86694 in Heritage Auctions’s Vintage Movie Posters Signature Auction in Dallas, which takes place March 25 and 26, 2017.

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Text is copyright Sheila Gibson Stoodley. Image is courtesy of Heritage Auctions, HA.com.

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SOLD! Sarah Bernhardt Loved This Mucha Poster So Much, She Used It for Her American Tour. It Commanded $8,750 at Swann

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Update: The Alphonse Mucha-designed poster of Sarah Bernhardt sold for $8,750.

What you see: A poster that advertises Sarah Bernhardt’s 1896 American Tour. Alphonse Mucha designed it.

Who is Sarah Bernhardt? The French actress was the world’s first superstar. Dubbed “The Divine Sarah” by her fans, she dominated the stage and later acted on film, posthumously earning a star on the Hollywood Walk of Fame.

Who is Alphonse Mucha? He was a Czech-born artist whose distinctive, alluring style shaped the visuals of the Art Nouveau movement.

What makes this poster special? “This was the image that was used for the very first Bernhardt poster. It catapulted Mucha to international recognition and stardom,” says Nicholas Lowry, director of Swann Galleries’ vintage poster department. The poster’s origin story sounds like a fairy tale. In December 1894, Bernhardt contacted the Paris print shop where he worked to commission an image to advertise her new play, Gismonda. The city was shutting down for Christmas, so the task fell to Mucha. “He was the only employee there, the poor lonely expat. He was the only one who could possibly help, and he does so.” He produced a long, slim design that was bracingly fresh and new. Bernhardt, overjoyed, demanded to see Mucha, reportedly telling him, “You have made me immortal.”

Why is it estimated at $7,000 to $10,000? The poster boasts the image that made Mucha famous, and it debuts motifs that would define Mucha’s style–the halo around Bernhardt’s head, and the mosaic-inspired details. It’s definitely valuable, but it lags behind the $12,000 to $18,000 sum typically asked for an original 1894 Gismonda poster. It was printed in 1896, in America; it’s seven inches shorter, probably due to removing the word ‘Gismonda’ from the top of the design; and the text at the bottom is different. “The Gismonda is more collectible, mostly because it’s his first big poster,” says Lowry.

How to bid: The Bernhardt 1896 tour poster is lot 286 in Swann Galleries’ Vintage Posters sale on March 16, 2017.

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Text is copyright Sheila Gibson Stoodley. Photo is courtesy of Swann Auction Galleries.

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LAST CALL: At Bonhams: In 1934, Ludwig Bemelmans Dreamed of Vienna, and Maybe Madeline

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What you see: A detail from a series of nine mural panels that Ludwig Bemelmans drew on the downstairs walls of Hapsburg House, a private lunch club in Manhattan, in 1934.

Who is Ludwig Bemelmans? He was an Austrian-Hungarian immigrant who toiled in Manhattan’s hotel-restaurant world until he discovered a knack for writing and illustrating children’s books. He debuted Madeline, his greatest creation, in 1939.

Why did Bemelmans draw these mural panels? Hapsburg House’s owners tapped Bemelmans to design menu covers and decorate the walls with murals. The upstairs murals were lost, much to the artist’s dismay, when a new owner bought the property in the 1950s and painted over them. The downstairs murals, which featured whimsical black-and-white gouache scenes of the Vienna of Bemelmans’s boyhood, were salvaged when the venue closed in the 1970s. “I kind of see it as pieces of the man, pieces of the artist,” says Darren Sutherland, specialist for books, maps, manuscripts, and historical photographs at Bonhams.

Wait, is that Madeline? Maybe. “There’s echoes of Madeline everywhere,” says Sutherland, noting that scenes of schoolgirls shepherded by nuns appear on three of the nine panels. This mural might show Bemelmans playing with ideas that would animate the stories, five years before the first appeared. One vignette shows gape-mouthed girls clinging to a nun as a caged lion roars, but there’s no Madeline figure in the group to say ‘poo poo’ to it. “It’s the first public expression that I know of,” says Sutherland.

Why are the panels estimated at $40,000 to $60,000? Bemelmans went on to create other murals. Panels rescued from the children’s room on Aristotle Onassis’s yacht, Christina, fetched more than $550,000 at Sotheby’s in 1999, but they may have been in better shape. Some of the color variations in the 1934 group could be patination, but others are due to overpainting, which suggests that Bemelmans may have tweaked the work over time.

How to bid: The Bemelmans panels are lot 119 in Bonhams’s Fine Books and Manuscripts auction, scheduled for March 9, 2017 in New York. You can see all nine by clicking the lot number.

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Text is copyright Sheila Gibson Stoodley. Image is courtesy of Bonhams.

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