Editor’s note: With the arrival of the holidays, The Hot Bid shifts its focus to world auction records.
What you see: The original Robby the Robot suit, created for the 1956 MGM sci-fi film Forbidden Planet. It was offered along with a jeep used in the film. It sold in November 2017 for $5.3 million–a world auction record for a screen-used prop.
I understand that the MGM designers built only one Robby the Robot suit. Is that unusual? “It’s unusual, but it cost so much money they couldn’t afford a backup,” says Dr. Catherine Williamson, director of books and manuscripts and entertainment memorabilia for Bonhams. “He’s well-built, and he wasn’t just in Forbidden Planet. MGM made one more movie with him, and he had other appearances, too.”
How much of a special effects advance was Robby the Robot? “He’s sort of amazing. He’s a technological wonder. He works whether someone’s inside him or not,” she says. “Artistically, he really encapsulates what we thought the future would look like, and what we thought robots would do for us. In the movie, anything that needs to be done on the planet can be done by Robby.”
It seems like Robby the Robot survived as a remarkably complete prop. Is that unusual? “That’s pretty miraculous, too,” she says. “It was built by MGM, and it was on the lot until the big liquidation prop and costume sale in the 1970s. It was not sold in that sale, but it sold privately in 1970. That guy [the first private owner] bought everything that belonged to Robby. Bill [William Malone, the consignor] wanted all of that, too. Bill was pretty young, in his early 20s, when he bought it.”
What restorations did William Malone perform on Robby the Robot? “The owner between the studio and Bill had not been as careful a steward,” she says. “Robby’s hands were foam rubber, and they had disintegrated. Bill had to recast the hands. The dome has been replaced, but the original plexiglass does still exist. It yellowed over time. Bill had the paint touched up, and bulbs needed to be replaced. The restoration took a long time. Bill was a young man, and he didn’t have a lot of resources. He sought guys at MGM who worked on Robby before he did one lick of restoration to be sure it was consistent with the original.”
What was the estimate on Robby the Robot? How did you place a value on the lot? “It had a low to mid-seven figure estimate, and we blew past it,” she says. “In the last five years, we’ve sold a bunch of high-profile pieces of movie memorabilia for seven figures–The Maltese Falcon, the Cowardly Lion costume, the piano from Casablanca, and a Dorothy dress worn by Judy Garland. Top, top, top hero props from top, top, top movies can command that kind of price. Robby is up there with those things.”
What puts Robby the Robot up there with those film artifacts? “First of all, the original movie itself has to be universally admired and celebrated. It has to be a film that is still current in the marketplace of ideas. Wizard of Oz is in there, Casablanca is in there, Forbidden Planet is in there,” she says. ‘Two, the thing needs to be not just a hero prop, but a central plot device. In Wizard of Oz, it’s the ruby slippers. The Casablanca piano is not just recognizable, it’s where Rick hides the transit papers. Robby is a central character and a plot device. He’s on the poster–not the spaceship or any of the actors–it’s Robby.”
Is Robby the Robot a costume or a prop? “He is so much more than a costume. He is so much more than a prop,” she says.
I notice that you haven’t called Robby the Robot an ‘it.’ You’ve only said ‘he’. “To me, he’s a he,” she says. “They do ask him in the movie if he’s a he or a she, and he says, ‘Neither of those terms apply.'”
A screen-used jeep comes with Robby the Robot. Is it functional? “It could be made drivable,” she says. “It originally had a golf cart motor that was obviously cannibalized for some other project. Robby rides in front. The seats and the plexiglass dome are for the humans. I’m not even sure how they steered it.”
What is Robby the Robot like in person? “He’s amazing,” she says. “He’s seven feet tall, and he lights up–he’s got all these little gears and keys that spin and convey motion and intelligence, which is what they wanted in the movie.”
Did you try on Robby the Robot? “I didn’t try it on, but Bill has a friend who is the right height. You’ve got to be slim, short, and strong enough. Robby the Robot weighs north of 200 pounds,” she says, adding, “When the guy gets out, he’s dripping with sweat even if he’s only been in it for ten minutes.”
What was your role in the auction? “I was on the podium. I had the gavel,” she says. “Going into it we had four people registered and interested in it. They were all eager and they bid quickly. It was exciting. Most lots sell in under a minute. This was more like five to ten minutes. We got all the way up to $4.5 million, and the underbidder asked for a minute [to consider] going for another bid. There was a bit of tension. Then they did not [bid], and it hammered at $4.5 million.”
When did you know you had a world auction record? “I don’t think I knew until I got off the podium,” she says. ” I know I sold the Maltese Falcon [hero prop] for $3 million, so it passed the company [house] record. I didn’t know it beat everything else until I looked it up.”
How long do you think the record will stand? “It depends on what shakes out,” she says. “I think there’s one more pair of ruby slippers in private hands. That might challenge it. There probably are other things out there that are still attracting attention.”
Why will Robby the Robot stick in your memory? “Of all the things we’ve sold, he’s pretty special,” she says. “The way people respond to him–it’s amazing. Robby the Robot is just as magical in person as he is on screen.”
Text is copyright Sheila Gibson Stoodley. Image is courtesy of Bonhams.
I also featured another piece from the same November 2017 Bonhams auction on The Hot Bid—the original poster artwork for the Italian release of Sylvia Scarlett, a 1935 film starring Katharine Hepburn and Cary Grant.
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