Update: Ernest Biéler’s Trois Jeunes Filles de Granois (Three Young Girls of Granois) sold for $699,000 (672,500 CHF).
What you see: Trois Jeunes Filles de Granois (Three Young Girls of Granois), a 1920 work on paper by Swiss artist Ernest Biéler. Sotheby’s estimates it at 500,000 to 700,000 in Swiss francs, which is pretty much the same amount in US dollars.
Who is Ernest Biéler? He was a Swiss artist who succeeded in virtually every media he tried, from painting to drawing to mosaics to stained glass windows. He cofounded the Ecole of Savièse, an artistic movement that celebrated rural Swiss peasant life. He died in 1948 at age 84.
What makes Trois Jeunes Filles de Granois an iconic Biéler work? “It’s really an important work, and it’s a good summary of what he attempted to do,” says Stéphanie Schleining Deschanel, director and co-head of Swiss art for Sotheby’s, explaining that the Ecole of Savièse artists “wanted to discover the purity and the traditions of the Swiss 19th century world.”
How often did Biéler portray small groups, as he does here? “He usually depicted individual figures. It’s very rare to have three people in the same composition,” she says. “In this case, the village of Savièse is very important. It’s the subject of the painting. The three girls have different dresses, but their faces are slightly the same. For him, it was more important to depict Swiss traditions rather than the people themselves.”
Why did he and his compatriots find inspiration in Savièse? “It was a space in the middle of nowhere. It was totally unknown by the world and by Switzerland,” she says. “Those costumes are really what they wore. They are well-depicted, and the hats are also very typical of Swiss tradition. It’s a good testimony to the fashion of the time.”
Did Biéler use live models? “They’re real people, from his direct environment, but he had no models. He found inspiration in observing people,” she says.
This work is currently the third most-expensive Biéler sold at auction. How do you think it will do this time around? “It’s very difficult to predict. It’s an iconic work, and it has potential,” she says, noting that she witnessed its previous sale in November 2007, when it commanded 601,000 Swiss francs ($543,616) against an estimate of 300,000 to 400,000 Swiss francs ($271,356 to $361,808). “It’s very powerful. Fantastic quality. It’s really a museum piece. I think the painting has the potential to achieve a higher price than it achieved 10 years ago.”
Text is copyright Sheila Gibson Stoodley. Image is courtesy of Sotheby’s.
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